Showing results for "From" in Architecture

In Tom Wolfe's hands, the strange saga of American architecture in the 20th century makes for both high comedy and intellectual excitement. This is his sequel to The Painted Word, the book that caused such a furor in the art world five years before. Once again Wolfe shows how social and intellectual fashions have determined aesthetic form in our time and how willingly the creators have abandoned personal vision and originality in order to work a la mode.

Against a backdrop of Islamophobia, Europeans are increasingly airbrushing from history their cultural debt to the Muslim world. But this legacy lives on in some of Europe's most recognizable buildings, from Notre-Dame Cathedral to the Houses of Parliament.

Tips from the Top is a collection of advice from more than sixty architects who have earned the respect of their peers and are willing to share their knowledge on building a successful and meaningful career in architecture. This book compiles more than sixty tips from a broad range of successful architects and design professionals from around the world. Organized by theme in seven broad categories—Beginnings, Inspiration, Values, Engagement, Process, Personal Development, and Determination—this book of advice offers thoughtful and thought-provoking guidance.

Built in a bygone era, Highclere Castle and its surrounding five-thousand-acre estate is a place where history breathes through its walls and verdant landscapes. From the grandeur of Victorian architecture to the whispers of Anglo-Saxon roots, every stone and tree has a story to tell throughout its sweeping grounds. Lady Carnarvon shares tales of past residents, from Lady Almina's legendary 1920s parties to the enigmatic ghosts that roam the halls of the castle. With the passing months and seasons, Lady Carnarvon reveals what it truly means to live and work in this extraordinary home.

'It may be the funniest thing ever committed to sound' DAVID BADDIEL 'The audiobook is an absolute dream' RICHARD OSMAN 'Not only has Alan Partridge created an entirely new storytelling structure, it's very funny indeed' JON RONSON 'Partridge... has become the man our time deserves. Aha!' THE...

The architecture of Britain is an art gallery all around us. From our streets to squares, through our cities, suburbs and villages, we are surrounded by magnificent buildings of eclectic styles. A Short History of British Architecture is the gripping and untold story of why Britain looks the way it does, from prehistoric Stonehenge to the lofty towers of today.

Author Kurt C. Schlichting tells the story of the Manhattan waterfront as a struggle between public and private control of New York's priceless asset. Nature provided New York with a sheltered harbor but presented the city with a challenge: to find the necessary capital to build and expand the maritime infrastructure. From colonial times until after the Civil War, the city ceded control of the waterfront to private interests, excluding the public entirely and sparking a battle between shipping companies, the railroads, and ferries for access to the waterfront.

The first European settlers saw America as a paradise regained. The continent seemed to offer a God-given opportunity to start again and build the perfect community. Those messianic days are gone. But as Alex Krieger argues in City on a Hill, any attempt at deep understanding of how the country has developed must recognize the persistent and dramatic consequences of utopian dreaming. Even as ideals have changed, idealism itself has for better and worse shaped our world of bricks and mortar, macadam, parks, and farmland.

Lighthouses are striking totems of our relationship to the sea. For many, they encapsulate a romantic vision of solitary homes amongst the waves, but their original purpose is much more utilitarian than that. Still today we depend upon their guiding lights for the safe passage of ships. Nowhere is this truer than in the rock lighthouses of Great Britain and Ireland, a ring of 19 towers built between 1811-1905, so called because they were constructed on desolate rock formations in the middle of the sea, and made of granite to withstand the power of its waves.