Showing results for "George" in Music

In February 1969, the Beatles began working on what became their final album together. Abbey Road introduced a number of new techniques and technologies to the Beatles' sound and included "Come Together", "Something", and "Here Comes the Sun", which all emerged as classics. Womack's colorful retelling of how this landmark album was written and recorded is a treat for fans of the Beatles. Solid State takes listeners back to 1969 and into EMI's Abbey Road Studios, which boasted an advanced solid state transistor mixing desk.

Cerphe's Up is an incisive musical memoir by Cerphe Colwell, a renowned rock radio broadcaster for more than 45 years in Washington, DC. Cerphe shares his life as a rock radio insider in rich detail. His story includes promotion and friendship with a young unknown Bruce Springsteen; his years at radio station WHFS 102.3 as it blossomed in a new freeform format; and candid interviews with famous musicians.

In this new and expanded edition of Nelson George's classic cultural study, contemporary Black culture is chronicled through essays on music, film, sports, publishing, politics, and city life, both uptown and down. Buppies enter nearly every arena of the Black urban USA: roisterous rappers and legendary hoopsters, streetwise hustlers and influential filmmakers, unsung musicians and drug dealers at work.

Musician George Tintura delves into the meaning behind the best known songs in the English-speaking world. Also known as "Mister Christmas," George explains the "why" behind the songs that keep coming back year after year.

George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image—that of a hypermacho sex god—loomed large in the pop culture of his day. It also hid—for a time—the secret he fought against revealing: Michael was gay. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world.

A weekly trip into the 50+ year Homegrown Music archive

On Saturday, June 28, 1986, George Michael picked up his tasseled leather jacket, walked out of London’s Wembley Stadium and cheerfully tore up five years of glittering pop history. He’d just disposed of Wham!, the band he’d formed with school friend Andrew Ridgeley when they were teenagers, and now, at 23, he knew he was all grown up. He just needed to convince everyone else.

READ BY ANDREW RIDGELEY For the first time, Andrew Ridgeley - one half of one of the most famous bands in the world - tells the inside story of Wham! and his life-long friendship with George Michael. It is 1975, Watford, and two teenagers, George and Andrew, meet for the first time. Bonding over...

A window into a underground, dark , sultry, sexy, and dirty space. Just a few words to describe the feel, the experience and musical journey you will encounter.

Brought to you by Penguin. A rollicking rock 'n' roll memoir of the last 50 years of rock history, from David Bowie's longest serving lead guitarist and legendary sideman, Earl Slick. He's played with everyone from John Lennon to the New York Dolls - and he's got the stories to prove it. Earl...

Often overlooked as a songwriter, despite penning The Beatles' standards "Something" and "Here Comes the Sun", and being the first of the four to release solo material, George Harrison embraced fame reluctantly, retiring from public life after the assassination of John Lennon, but launched a spectacular late 1980s comeback.

An intimate portrait of Handel’s life and inner circle, modeled after one of the composer’s favorite forms: the fugue. During his lifetime, the sounds of Handel’s music reached from court to theater, echoed in cathedrals, and filled crowded taverns, but the man himself - known to most as the composer of Messiah - is a bit of a mystery. Though he took meticulous care of his musical manuscripts and even provided for their preservation on his death, very little of an intimate nature survives.

Nelson George's chronicle of Motown Records' rise and fall remains a classic account of an essential American music company and its dynamic founder, Berry Gordy Jr. Gordy's uncanny instinct for finding extraordinary talent - from performers and musicians to songwriters and producers - packed the label's roster with a who's who of historic artists and hitmakers.

Hi I'm George from Nigeria and I'm an artist and I love music

Party curator, Beccie B is your George Nights Host, together with a batch of sick DJs in the mix, and conversations.

New York City native and gifted pianist George Gershwin blossomed as an accompanist before his talent as a songwriter opened the way to Broadway, where he fashioned his own brand of American music. He composed a long run of musical comedies, many with his brother Ira as lyricist, but his aspirations reached beyond commercial success.  

George B. Miller hat den Rock 'n' Roll dort erlernt, wo der Musikstil in den 1950er-Jahren mit Elvis ankam: in Bremerhaven. Als Sohn eines amerikanischen Soldaten und einer deutschen Mutter kam Miller dort 1947 zur Welt und wurde sogleich in die zweisprachige Welt der GIs mit Jazz, Soul und Rock 'n' Roll hineingezogen. Seine Karriere als Musiker begann schon 1959 als Cellist, 1964 machte er seine ersten Erfahrungen mit einer Rock-'n'-Roll-Band.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, Hip Hop America is the definitive account of the society-altering collision between Black youth culture and the mass media.

By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to and represented an idealized self-portrait of a very different audience.