Showing results for "HOPE" in Classics

The Prisoner of Zenda is the story of an Englishman who travels to the small European state of Ruritania where he impersonates the ruler and falls in love with Princess Flavia.

Rudolf Rassendyll travels to the small kingdom of Ruritania for what should be a quiet holiday. But when the newly crowned king is drugged and kidnapped, Rudolf's uncanny resemblance to him pulls him into a dangerous plan. To prevent a national crisis, he agrees to impersonate the king. As he steps into royal life, Rudolf must navigate court politics, betrayal, and a plot to seize the throne.

The ultimate escapist adventure story, The Prisoner of Zenda transports the listener into a bygone era, awash with swashbuckling heroism, cunning plots and courtly love. The popularity of Hope’s tale of intrigue was such that it spawned an entirely new genre known as the ‘Ruritanian romance’. When the King of Ruritania is kidnapped, the onus falls on a British tourist, who bears an uncanny resemblance to the King, to stand in for him and to avert disaster by coming to his rescue.

This swashbuckling romance transports a droll young English gentleman from his comfortable life in London to a fast-moving adventure in a mythical country steeped in political intrigue. Rudolf Rassendyll, pondering his life’s purpose, sets out on a journey to the tiny European kingdom of Ruritania, where he discovers that he bears a marked physical resemblance to the king.

Anthony Hope was constrained to return to the fictional land of Ruritania by an appreciative public who wanted more swashbuckling and derring-do from the hero Rudolph and more Machiavellian moustache twirling from the suave villain Rupert. The author came up with a literary construction which ensured he would never again have to visit fictional Ruritania - but nothing he subsequently wrote appealed as much as the two Zenda stories.

Carnacki a accepté d'aller étudier un problème de maison hantée dans une demeure peu éloignée de Londres. Trois personnes y ont trouvé la mort un siècle et demi plus tôt, étranglées dans la chambre grise. Toutes les nuits, la porte de cette chambre, bien que fermée à clef, s'ouvre et se referme brutalement et on y ressent une présence hostile.