Showing results for "Humor" in City Life

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Meet Grace Bernard. Daughter, sister, colleague, friend, serial killer. Grace has lost everything. And now she wants revenge.

Robert Doughten Savile, aka "Doughty," is the son of a once-wealthy, now hard-up family from Darien, Connecticut. Doughty lives in a perpetual cloud of delusion, convinced of his own genius and status. While he has little capacity to accurately assess his own abilities or prospects, he cruises through life on the sheer force of his own sense of entitlement, dropping out of college and landing in the early '90s in New York City, a place brimming with both prosperity and desperation.

Als ihr das Geld ausgeht, nimmt sie einen Job in München an. Als sie drei Frauen kennenlernt, die sich ihren Lifestyle mit zweifelhaften Methoden finanzieren, ist sie fasziniert. Schnell findet Leonie ihr eigenes Geschäftsfeld: Menschen mit frisch gebrochenem Herzen bezahlen sie für raffinierte Racheaktionen. Doch nach einer Weile kommen ihr Zweifel: Wie viel Geld braucht man wirklich für ein gutes Leben? Und wie viel Risiko ist sie bereit, dafür einzugehen?

'The perfect romcom' Lucy Vine ❤️A laugh-out-loud romcom in 2024 perfect for fans of Tessa Bailey and Elena Armas ❤️ Committing to a fake romance is easy. It’s keeping it fake that’s the problem … 'Charming, funny, relatable' Sophie Cousens 'I’m still swooning, and I don’t...

Meet Frankie Marks: the world's least likely fashion PR. She doesn't know the first thing about designers, she's always hungry, and she can't learn to think before she speaks. When Frankie lands a job at the prestigious GGC agency, her friends and family can't believe it - least of all her long-suffering boyfriend James. Frankie quickly realises she must fight with everything she's got to survive life behind the scenes of the glamorous and chaotic industry - with its eccentric characters, towering expectations, and quite frankly ridiculous requests.

Danny Byrne has grown up on a sprawling council estate in Pimlico. He knows every stone of it, and until now, his life has followed the same pattern as all his friends. Danny is heading for A-levels and then university. Dodds is following his dad into the family butcher’s business, Crockett will sail on opportunity’s wings as it comes his way, and Nobby is flirting with drugs, and disaster. As the long summer unfolds, the boys focus on girls, trade banter and test their friendships to the limit. When things take a darker turn, Danny must wrestle with his conscience.

Becca and Charlie have known each other since university. Becca and Charlies have also hated each other since university. Until now. Until Ally’s bucket list. The death of their loved one should mean they can go their separate ways and not look back. But completing the list is something neither of them can walk away from. And sometimes, those who bring out the worst in you, also bring out the very best. Over the course of ten years, Becca and Charlie’s paths collide as they deal with grief, love and life after Ally.

As Babbitt grapples with the suffocating monotony of suburban life, societal expectations, and his own unfulfilled desires, Lewis paints a timeless portrait of conformity, materialism, and self-deception. A biting critique of the American Dream, Babbitt explores the search for meaning in a world that seems more obsessed with status than substance.

Meet Ivy. She's not just a hot mess, she's a walking disaster. The only man in her life is the pizza delivery driver and she puts more effort into binge-watching Netflix than her dead-end job. But that was the old Ivy. Because last night she switched her phone off, peeled the salami from last night's drunken takeaway off the carpet and made a list. A list that changed everything.

Based in the little town of Bridgeford, High-Lites salon boasts the most misanthropic hairdresser in Britain: sharp-tongued, mean-minded Bev. With the help of her soft-hearted (though slightly dim) assistant, Shirley, she tends to the tresses of a motley crew of local characters. As she cuts their hair, she finds out everything that's going on in their lives - and wastes no time in spreading some gossip of her own.

The next purrfect read from Rachel Wells – a true festive treat! Christmas is around the corner, and Alfie and George can’t wait. This year, the residents of Edgar road have come together to put on a festive show and raise money for a local homeless shelter. As December approaches, plans are...

Rudy Sharpe is the irrepressible owner of a tiny, ramshackle record store, stacked from floor to ceiling with piles of vinyl. It’s a place with real soul, where the slogan is ‘If we don't have it – them don't mek it’. Helping out behind the counter is Tasha, Handsworth’s only Black goth girl, while Rudy’s best friend Clifton regularly drops in to talk music, women and rum.

Marco è un noto attore milanese sul viale del tramonto. I film in cui recitava vincevano Oscar, adesso interpreta “prestigiosi” ruoli da defunto in pellicole di serie B. E quando non è sdraiato in una bara ad aspettare il ciak, gli restano lunghe e solitarie passeggiate infarcite di ricordi. L’unico tocco di brio alla sua esistenza arriva da Luciana, la “sadomasomasterchef” a cui piacciono i giochi sessuali a base di senape in grani. Mirko è un ragazzo stralunato della provincia di Lecce.

Hard Times is the tenth novel by Charles Dickens, first published in 1854. The book surveys English society and satirizes the social and economic conditions of the era. Hard Times is unusual in several ways. It is by far the shortest of Dickens's novels, barely a quarter of the length of those written immediately before and after it. Moreover, it is his only novel not to have scenes set in London. Instead, the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town.

On the eve of the Occupy Wall Street protests, C is flat broke. Once a renowned textile artist, she’s now the sole proprietor of an arts supply store in Lower Manhattan. Divorced, alone, at loose ends, C is stuck with a struggling business, a stack of bills, a new erotic interest in her oldest girlfriend, and a persistent hallucination in the form of a rogue garden gnome with a pointed interest in systems collapse. Replaying recent history through a distorting glass, The Visitors charts the last days of a broken status quo as the path is cleared for something new.

Funny Ethnics catapults listeners into the sprawling city-within-a-city that is Western Sydney and the world of Sylvia Nguyen: only child of Vietnamese refugee parents, unexceptional student, exceptional self-doubter. It's a place where migrants from across the world converge, and identity is a slippery, ever-shifting beast. Jumping through snapshots of Sylvia's life—from childhood to something resembling adulthood—this novel is about square pegs and round holes, those who belong and those on the fringes.

Twenty-six-year-old Nicole Najim is struggling to find herself after a painful breakup, just when she thought she was going to settle down. Working a dead-end job in the family car dealership and at a loose end, she picks up her camera and returns to the melting pot of Sydney’s West to rediscover her roots. When she catches up with childhood friend, Danny, who makes his living in a shadowy underworld, their relationship intensifies just as the law starts to close in.

Joe Keen and Ana Urbanek have been a couple for a long time, with all the requisite lulls and temptations, yet they remain unmarried and without children or a mortgage, as their Midwestern values (and parents) seem to require. Now on the cusp of 40, they are both working jobs that they're not even sure they believe in anymore, but with significantly varying returns. Ana is successful; Joe is floundering; both are in limbo, caught somewhere between mainstream and alternative culture, sincerity and irony, achievement and arrested development.

The narrator of Rob Doyle's Threshold has spent the last two decades traveling, writing, and imbibing drugs and literature in equal measure, funded by brief periods of employment or "on the dole" in Dublin. Now, stranded between reckless youth and middle age, his travels to far-flung places have acquired a de facto purpose: to aid the contemporary artist's search for universal truth.