Showing results for "In My Life" in Music

Music journalist Stevie Nix presents all the best bits from major interviews major artists have done - it's their audio autobiography!

I don’t remember “Love Me Do” the first time around, although it did go to number 17 in the charts in December 1962. I remember their second release “Please Please Me", which went to number one in February 1963. I thought it was okay, but it didn’t knock me out. Their third release “From Me to You” hit the spot and from that moment, I was completely hooked on The Beatles. Thanks to the influence of The Beatles, I have been a professional musician for over 50 years, and their catalogue of songs remains the soundtrack to my life.

Learn a fingerstyle solo of this Beatles hit without using music or tab. This all-audio lesson includes a full demonstration and detailed “by ear” instruction teaching every phrase slowly and without music, tab, or video. This is a level two difficulty.

Records In My Life asks your favorite musicians, actors, and artists about the music they love. Each episode features an artist discussing the songs and albums they're enjoying now and some of the influences and inspirations behind their work. The series is made possible thanks to the work of the team at Northern Transmissions, an online music publication for music lovers by music lovers. Hosted on Acast. See acast.com/privacy for more information.

This Stevie Wonder hit makes a fun intermediate level piano solo and it is fast to learn and memorize because you will learn it completely “by ear.” At the beginning of the lesson is a full demonstration of the song followed by a detailed lesson in two to four measure sections using no music, print, or video. At the end of the lesson there are backing tracks with no piano on them to be used for live performance.

A candid and eye-opening inside look at the final decades of Sinatra's life told by his longtime manager and friend, Eliot Weisman. By the time Weisman met Sinatra in 1976, he was already the Voice, a man who held sway over popular music and pop culture for forty years, who had risen to the...

In this series we're talking to some amazing guests about their favourite pieces of music, what their relationship to that music is and how it has become the soundtrack to specific parts of their lives; finding out more about each of our guests through their music choices. From love, to pain, family to sports - we'll be delving into the music they listen to and why it's shaped them throughout the years. Hosted on Acast. See acast.com/privacy for more information.

In the summer of 1981, Mark Brown was a teenager working at a 7-11 store when he wasn't rehearsing with his high school band, Phantasy. Come fall, Brown, now called BrownMark, was onstage with Prince at the Los Angeles Coliseum, opening for the Rolling Stones in front of 90,000 people. Raw, wry, real, this book takes us from his musical awakening as a boy in Minneapolis to the cold call from Prince at 19, from touring the world with The Revolution and performing in Purple Rain to inking his own contract with Motown.

Every gig I have ever seen. Forty-odd years of thud, sweat and beers. Starting in 1977 and currently covering 1984, if you are a fan of Sheffield music from bands like Cabaret Voltaire and The Human League. Or you like Industrial and Post-Punk music in general, there will be something here for you to check out. I'm Roger Quail, I grew up in Sheffield and played drums with Clock DVA and The Box in this era.

In this podcast I interview musicians and talk about their life in music and also their life in general. I also get them to name their Top 5 albums and Top 5 bands/artists of all time.

The thoughts of a guy that resides in 757. Follow James and his friends on this meandering sonic journey. There will be guests! And treats for the especially well-behaved children.

A collection of what I’ve made over the years — and what I’m moved to make now 🎧 Radio shows, interviews, podcast episodes, live recordings — whatever feels right, when it feels right. Mostly soul-flavoured house, but not always. This is less a format, more a portfolio — a space to share what I love, when I’ve got something to say or play 😊 Thanks for sticking with me, however you found your way here. ☁️ More live sets and other sounds on Mixcloud: mixcloud.com/martinjgale ✍🏻 Get in touch: djmartingale.com/contact PRS licensed, number 0034926.

Have you ever listened to a song that stopped you in your tracks and made you say out loud, ’This is the greatest song I’ve ever heard in my entire life!’? Composer and lapsed-musicologist Scott Interrante and producer Katherine Mohr talk to musicians, writers, actors, comedians, and other cool creative people about the music they love, why they love it, and the song that makes them scream, ’This Is The Greatest Song I’ve Ever Heard In My Entire Life!’ @Gr8SongPod on Twitter and Instagram. @InterranteScott on Twitter. Creative Production by Katherine Mohr. Intro music: ”Kratos In...

For 15 years, Tom Stephen had the unique distinction of being both drummer and manager of the Jeff Healey Band. The dual role was fraught with conflicts of interest. One minute, he was leading the debauched life of a rock musician; the next, he was disciplining the band for the havoc they caused. But few knew or understood Jeff Healey better. Funny and loyal, with a luminous mind and staggering talent, Healey was also provincial, stubborn, obnoxious, and antagonistic. This book explores both sides with honesty, clarity, and humor and reveals what life for the band was really like.

As the influential drummer from iconic rock 'n' roll band The Hollies, Bobby Elliott has six decades' worth of musical anecdotes. Continually touring since 1963, his adventures have seen him beating Keith Moon in a drumming audition for Shane Fenton and the Fentones, being serenaded by Joni Mitchell while she was in bed with Graham Nash, and being offered a job by Paul McCartney to work with Wings.

Another Little Piece of My Heart is the intimate memoir of the writer as a young man with profound ambition. It is also a sweeping personal account of a decade that no one else could provide - a deeply moving, unparalleled document of rock and revolution in America.