Showing results for "JUNIOR" in Mystery, Thriller & Suspense

La obra se desarrolla a partir de los expedientes judiciales iniciados el 28 de septiembre de 2004. Ese día Rafael Juniors Solich, un chico de 15 años, mató con el arma de fuego de su padre, suboficial de Prefectura Naval, a tres compañeros e hirió a otros cinco en el aula de una escuela de...

This is the true story of ex-Mongols M.C. National President Scott Junior Ereckson. From a young teen, peering from behind a bush at an unknown Mongol, Scott fulfills his childhood dreams. In later years, after many experiences, he becomes one of the most respected and feared Mongols to this day.

Junior Bender, Los Angeles burglar and off-the-books detective to the felonious, is reminded that rock and roll will never die (no matter how fervently he wishes some of it would) when Hollywood’s most dangerous geriatric mobster, Irwin Dressler, retains Junior’s investigative services to solve a rather unharmonious problem. Junior has one weekend to figure out who’s to blame—a weekend that begins with his tires being slashed, threatening notes left on his car, and a theatrical backdrop falling on a drummer during the truly terrible first set of the first concert.

It's everyday business when Wattles, the San Fernando Valley's top "executive crook", sets up a hit. He establishes a chain of criminals to pass along the instructions and the money, thereby ensuring that the hitter doesn't know who hired him. Then one day Wattles finds his office safe open and a single item missing: the piece of paper listing the crooks in the chain. When people associated with the chain begin to pop up dead, the only person Wattles can turn to for help is Junior Bender, professional burglar and begrudging private eye for crooks.

There are not many people brave enough to say no to Irwin Dressler, Hollywood’s scariest mob boss turned movie king. Even though Dressler is 93 years old, LA burglar Junior Bender is quaking in his boots when Dressler’s henchmen haul him in for a meeting. Dressler wants Junior to solve a crime he believes was committed more than 70 years ago, when an old friend of his, once-famous starlet Dolores La Marr, had her career destroyed after compromising photos were taken of her at a Las Vegas party. Dressler wants justice for Dolores and the shining career she never had.

Junior Bender is back to untangle one of the weirdest mysteries in Tinseltown. LA burglar Junior Bender has, unfortunately, developed a reputation as a competent private investigator for crooks. The unfortunate part about this is that, regardless of whether he solves the crime or not, someone dangerous is going to be unhappy with him - either his suspect or his employer. Now Junior is being bullied into proving aging music-industry mogul Vinnie DiGaudio is innocent of the murder of a nasty tabloid journalist he'd threatened to kill a couple times.

The halls are decked, the deck is stacked, and here comes that jolly old elf. Junior Bender, divorced father of one and burglar extraordinaire, finds himself stuck inside the Edgerton Mall, and not just as a last-minute shopper (though he is that too). Edgerton isn't exactly the epicenter of holiday cheer, despite its two Santas, canned Christmas music, chintzy bows, and festive lights. The mall is a fossil of an industry in decline; many of its stores are closed, and to make matters worse, there is a rampant shoplifting problem.

Le podcast d'enquêtes à destination des jeunes. Animé par Annie Richard (auteure pour les jeunes, recherchiste d'enquête, ancienne éducatrice spécialisée) et Jean-Philippe Rousseau (auteur, recherchiste d'enquête), nous parlons d'histoires mystérieuses et de cas inexpliqués à travers l'histoire du Québec.

My new podcast is finally live. Hit that play button and join me for a fun ride

Tragiquement connue pour son histoire violente et chaotique ainsi que pour la catastrophe qui l’a frappé en 2010, Haïti est le pays le plus pauvre des Amériques - et l’un des plus riches sur le plan littéraire. Cette anthologie de dix-huit nouvelles, projet lancé avant le tremblement de terre, réaffirme le talent des auteurs contemporains haïtiens, aussi bien francophones qu’anglophones, qu’ils vivent sur place ou qu’ils soient issus de la diaspora, sur un terrain où ils ne sont pas forcément attendus : le genre noir.

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