Showing results for "James Edwards" in Genre Fiction

Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige - he just doesn’t quite know what he’s signing up for. The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room.

September 1907. George Dillman sets sail from Liverpool to New York on the Lusitania's maiden voyage. Posing as a passenger, Dillman is in fact an undercover detective hired by the Cunard Line to keep an eye out for petty crimes. But after some uneventful days aboard, the ship’s blueprints are stolen and then a body is found. As Dillman works to get to the bottom of the crimes, he makes an unusual friend, first-class passenger Genevieve Masefield, and the two uncover secrets aboard the ship that prove explosive.

BBC Radio adaptations of Aldous Huxley’s finest works – plus a bonus documentary programme ‘Over nine hours’ worth of quality drama… The stories presented in ‘A BBC Radio Collection’ combine to give the listener a taste of Huxley’s versatility as a writer. His vivid imagination...

Angel and the Badman is a 1947 American Western film written and directed by James Edward Grant and starring John Wayne, Gail Russell, Harry Carey, and Bruce Cabot. The film is about an injured gunfighter, who is nursed back to health by a young Quaker woman and her family, whose way of life influences him and his violent ways. Angel and the Badman was the first film Wayne produced and in which he starred, and was a departure for this genre when it was released. Writer-director James Edward Grant was Wayne's frequent screenwriting collaborator.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Christmas may come but once a year but human emotions, the driving force of our characters, are with us every day. Yet, somehow these same emotions when they happen at Christmas seem amplified; we seem more tender to their touch, their words. Whether it’s a long-lost returning soldier wondering how best to return to the arms of his family without too great a risk of shock... Or a prodigal son whose taken path has driven pain into his own and others hearts… These stories reveal much about the human condition.

A stunningly original debut collection about lives across history marked by violence and longing. A brother and sister turn outlaw in a wild and brutal landscape. The daughter of a diplomat disappears and resurfaces across the world as a deadly woman of many names. A young Philadelphia boy...

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

The Ultimate Classics Collection: Volume One is a continent-hopping, century-spanning collection of 15 essential classic novels by British, American, and Russian authors, read by a cast of incredible narrators including Stephen Fry, Jason Isaacs, Adjoa Andoh, David Rintoul, and many more.

Salo’s queen has finally accepted his desire to be a mystic despite taboos concerning men’s use of magic. But her acceptance is not support; it is strategy. Under a disguise of the queen’s making, Salo enters Jungle City as a pilgrim to the Red Temple, only to find a magical barrier barring his entrance. Left at the mercy of the warring political factions that run the city, Salo faces a series of obstacles wrought by an unseen hand, knowing he cannot return home without completing his pilgrimage. But Isa, King of the Saire clan, has her own plans for Salo.

The Modern Age is one of information overload. Bombarded, surrounded, and battered by facts, figures, opinions and seemingly whatever else comes out of anyone’s head from all directions at all hours of the day and night. It’s exhausting. In the pens of such luminaries as Henry James, E M Delafield, C E Montague, Charlotte Perkins Gilman and many others we connect with old fashioned media from publishing and advertising to telegrams and radio and everything in between in ways that are surprising, enlightening but always entertaining.

Bombay, 1909. Genevieve Masefield and George Dillman make a living as detectives aboard the early twentieth century's most extravagant ocean liners. From the members of first class in all their finery, to the card cheats and pickpockets plying their trade, they've experienced more than their share of humanity. For their latest voyage, the Salsette boasts a pair of travellers who feign ignorance of each other but there is clearly no love lost between them. Then there’s an elderly man whose powers of deduction may be based on more earthly techniques than the mystical energy he claims to possess.

New York, 1908. While waiting to embark on the Caronia, the Cunard Line’s famous ocean liner, private detectives George Dillman and Genevieve Masefield are startled to witness the boarding of a man and woman in shackles. They discover that these prisoners are being brought back to England by Scotland Yard to face trial for murder. Over the course of the crossing, while managing purse-snatchers, burglars and drug traffickers, Dillman and Masefield come to believe that the captured couple may not be the vicious criminals some might think.

New York, 1908. Private detectives George Dillman and Genevieve Masefield plan to take a break from work upon the Cunard Line’s fleet with the offer of employment upon the Minnesota, a freighter and passenger vessel, which is bound for the Far East. Although the pair are investigating the possibility of a smuggling operation on the route, at first all appears to be smooth sailing, but the voyage takes a dire turn when a fiery Catholic missionary is murdered and it proves to be the first in a series of crimes that plague the crossing.

November 1907. George Dillman and Genevieve Masefield sail from Liverpool to New York on the maiden voyage of the luxurious Mauretania. Employed by the Cunard Line again as private detectives, they pose as passengers on what proves to be a very eventful crossing. Dillman is instrumental in rescuing a crew member from being washed overboard in severe weather, but he is unable to save one of the first-class passengers from the same fate.

Egypt, 1908. George Dillman and Genevieve Masefield, used to the grand opulence of the Cunard cruise line, are at first disappointed with the Marmora, a small, unimpressive ship owned by the P&O shipping line. Employed by P&O to be the ship’s detectives, Dillman and Masefield expect to encounter the usual assortment of petty thieves and confidence tricksters. But this cruise is certain to be unique as the Duke and Duchess of Fife and their children are aboard and the detectives will provide security for the royals. And when a dead body turns up, the voyage proves to be one to remember.

Southampton, 1910. When the Oceanic sets sail its ultimate destination is New York. But it must make one very important stop first: at Cherbourg, to pick up internationally renowned financier and art collector J. P. Morgan, fresh from a continental buying spree. George Dillman and Genevieve Masefield, the ship’s detectives, are nervous about the presence of such an important passenger, not to mention his valuable cargo. After all, it is rare for a transatlantic voyage to pass without incident for the two sleuths.

New York, 1910. George Dillman and Genevieve Masefield have crossed the Atlantic Ocean numerous times in their capacity as ship’s detectives. On those crossings they’ve had the pleasure, and in some cases the trouble, of sailing with very famous passengers. Dukes. Duchesses. Artists. Actors. Musicians. Royalty. But few names have quite the level of fame and fortune as their fellow traveller Sir Arthur Conan Doyle.

Stan Powers finds himself at a crossroads. Poised to take the last step in his unlikely ascent to the top of conservative talk radio, his conscience may not let him. Set amid the backdrop of "the most important presidential election of our lifetime", Powers - as the most influential voice in Tampa’s hotly contested I-4 Corridor - holds the key to Florida, and therefore the Oval Office. His on-air attacks singlehandedly put an abrupt end to the top candidates' main competitors in the primaries, and now he is in the singular position to influence who wins the highest elected office in the world.