Showing results for "Kerouac" in World Literature

Jack Kerouac was one of America's great writers of the latter half of the twentieth century, yet he endured a life characterized by persistent hardship and disillusion. Leading Kerouac scholar Paul Maher Jr. targets the writer's embattled insight of self as central to his life and work. He reveals how Kerouac's troubled interactions with alcohol, drugs, and spirituality stamped its importance on his autobiographical prose and poetry and created a singular language that united thoughts on the human condition and spiritual liberation.

From the acclaimed Beat Generation author of On the Road and The Dharma Bums come eight extended poems in which he reflects on the urban settings he finds himself in. Best known for his novels, Jack Kerouac is also an important poet. In these poems, Kerouac writes from the heart of experience in the music of language, employing the same instrumental blues and jazz forms that he used in another book of poems, Mexico City Blues.

"I vagabondi del Dharma" rappresenta il seguito ideale del romanzo più celebre di Kerouac, quel "Sulla strada" considerato fin dal suo primo apparire una sorta di "Bibbia della Beat Generation". Anche nei "Vagabondi", sempre di forte matrice autobiografica, lo scrittore racconta le avventure dei suoi discepoli e confratelli beatnik impegnati nella ricerca, disordinata ma sincera, di una nuova verità. Verità che, soprattutto grazie all'influsso della scuola Zen di San Francisco, Kerouac e i suoi identificano con gli insegnamenti buddhisti.

From a young age Kerouac was a spiritual thinker and questioner, and he always considered himself a spiritual writer. Buddhism gave more meaning to Jack’s work as a writer: he was working not for personal accomplishment and glory but for human betterment. And Buddhism justified his lifestyle: with its vision of the material world as empty and illusory, he was free to do what he wanted.

Before Jack Kerouac expressed the spirit of a generation in his 1957 classic On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences.

Just as he upended the conventions of the novel with On the Road, Jack Kerouac revolutionized American poetry in this ingenious collection. Bringing together selections from literary journals and his private notebooks, Jack Kerouac’s Scattered Poems exemplifies the Beat Generation icon’s innovative approach to language. Kerouac’s poems, populated by hitchhikers, Chinese grocers, Buddhist saints, and cultural figures from Rimbaud to Harpo Marx, evoke the primal and the sublime, the everyday and the metaphysical.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.