Showing results for "Lee" in Film & TV

Read by the author. INSTANT NEW YORK TIMES BESTSELLER "Sioux’s harrowing reality TV ordeal cuts deep, and her subsequent self-assurance is endearing and infectious. It adds up to an inspiring account of reclaiming artistic agency.” - Publisher’s Weekly When you’ve been told over and over...

If you're watching a movie where a world-weary detective is having trouble with a "dame" or a "broad", and cigarette smoke is wafting through the scene - you're probably appreciating a bit of "film noir". Film noir literally means black film referring to both the look and the attitude of these movies.

He had the face of a true villain, chiseled to perfection. Director Sergio Leone once described Van Cleef as having the face of a hawk; actor Eli Wallach called it “wonderfully alive” and full of wickedness. As an actor, Van Cleef portrayed some of the best movie villains of all time. Although more than thirty years have passed since his premature death in 1989, Lee Van Cleef remains a cinematic icon. Lee Van Cleef: Best of the Bad explores the life and career of this great actor, a man with unbounded talent and a heart of finely polished gold.

Packed with interviews from director John Carpenter, screenwriter Bill Phillips, producer Richard Kobritz, stars Keith Gordon and Alexandra Paul, plus various members of the cast and crew including co-composer Alan Howarth and SFX artist Roy Arbogast, Hell Hath No Fury: The Making of Christine is a definitive look at the 1983 cinematic adaptation of Stephen King’s terrifying novel about the eponymous demonic Plymouth Fury and the obsessive teenage boy who loves her.

Daryl Joji Maeda's account of Bruce Lee's legacy traces how movements and migrations across the Pacific Ocean structured the cultures Lee inherited, the milieu he occupied, the martial art he developed, the films he made, and the world he left behind. A unique blend of cultural history and biography, Like Water unearths the cultural strands intertwined in Lee's rise to a new kind of global stardom. Moving from the gold rush in California and the British occupation of Hong Kong to the Cold War, Maeda builds depth and complexity to this larger-than-life figure.

Gus Van Sant’s film and the ’90s cult of the alternative Gus Van Sant’s 1991 indie darling My Own Private Idaho perplexed and provoked, inspiring a new ethos for a new decade: being different was better than being good. Gentlemen of the Shade examines how the film was a coming-of-age for a generation of young people who would embrace the alternative and bring their outsider perspectives to sustainability, technology, gender constructs, and social responsibility.

Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand - some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen.

The 1920s was a bustling time in Hollywood, as starry-eyed young women sought fame and fortune—only to discover that their dreams did not match the reality of the film industry. Edgcumb Pinchon was there to report on it all. He interviewed women who worked as “extras” in Hollywood, and was himself involved in the film business as a screenwriter and author. He describes here the hierarchy of those on set (in front of and behind the camera) with first-hand knowledge and humor.

By "assembling" some of the most fascinating figures in world history, Meeting of Minds provided a groundbreaking opportunity for audiences to be exposed to ideas by way of a medium not normally known for its intellectual vigor. Portrayed by actors, panelists engage in stimulating round-table discussions that were conducted like any other talk show but featured prominent influencers from bygone generations—not just philosophers and politicians, but poets, playwrights, and presidents.