Showing results for "Looking for the Parade" in Classics

A Man Could Stand Up, the third volume of Parade's End, brings Ford's characters to the 'crack across the table of History', across which lie their uncertain post-war futures. Divided into three parts, the novel is a kaleidoscopic vision of a society at climactic moment.

This is the second novel in the series of four, depicting the meeting, courtship and ultimate fulfilment of two modern heroes, Christopher Tietjens and Valentine Wannop, despite social condemnation, personal travails and World War I.

The Last Post, the fourth and final volume of Parade's End, is set on a single post-war summer's day. Valentine Wannop and Christopher Tietjens share a cottage in Sussex with Tietjens' brother and sister-in-law. Through their differing perspectives, Ford explores the tensions between his characters in a changing world, haunted by the experience of war, facing an insecure future for themselves and for England.

The first volume of Parade's End introduces the central characters: Christopher Tietjens, a brilliant, unconventional mathematician; his dazzling but unfaithful wife Sylvia; and the young Suffragette Valentine Wannop. It starts with the cataclysmic meeting of Tietjens and Valentine: a weekend whose violence prefigures the coming war.

Ford Madox Ford's Parade's End tetralogy, written in the aftermath of World War I, was originally published in four parts in the 1920s: Some Do Not…; No More Parades; A Man Could Stand Up —; and Last Post. Highlighting the tension between traditional values and a rapidly changing social order in a world embroiled in war, the story details Tietjens' turmoils in both his personal life and on the warfront—and what follows when some of those struggles become one and the same.

Brought to you by Penguin. Consisting of four novels - Some Do Not..., No More Parades, A Man Could Stand Up and The Last Post - Parade's End is the story of Christopher Tietjens and his progress from the secure world of Edwardian England into the First World War and beyond. Both a portrait of a...

Last Post is the fourth and final installment of Ford Madox Ford's Parade's End tetralogy, a work that Ford hoped would contribute to the obviating of all future wars. The story follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his wife, Sylvia; and his mistress, Valentine Wannop.

From the sublime to the ridiculous, Anton Chekhov saw it all. And he wrote about it as only a master storyteller can, capturing not only the nuances of human behavior, but also the motivations behind the behavior. Often, too, he found universal truths along the way. These stories cover a variety of themes, both comic and tragic, as his characters encounter religion, government bureaucracy, and each other. And although they were written long ago, they are still surprisingly fresh.

A Man Could Stand Up—is the third of four installments in Ford Madox Ford's Parade's End tetralogy, which follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his unfaithful wife, Sylvia; and his mistress, Valentine Wannop. Opening on Armistice Day (November 11, 1918), A Man Could Stand Up—serves as the climax of the series. Highlighting the tension between traditional values and a rapidly changing social order, the novel details Christopher and Valentine's trials as the post-war world takes shape around them.

The Parade's End tetralogy privileges not the conflict of World War I itself, but the impact the war had on its participants and upon society writ large. It is often referred to as one of the greatest 20th century novels, and one of the best depictions of war in literature.