Showing results for "Mary" in Asian

Brought to you by Penguin. This Penguin Classic is performed by Sid Sagar. This definitive recording includes an introduction by John Brockington and Mary Brockington. Warrior-prince Rama is about to be crowned Young King, when he hears the devastating news that his father, King of Ayodhya, has...

WINNER OF THE JCB PRIZE FOR LITERATURE 2020. 'A novel of epic dimensions ... easily among the most accomplished fictional works in Malayalam.'K. SATCHIDANANDAN Vavachan is a Pulayan who gets the opportunity to play a policeman with an immense moustache in a musical drama. The character appears...

A collection drawing from the many areas of Mary Anne Mohanraj's work, Silence and the Word includes everything from enticing erotica to Sri Lankan-American immigrant tales, from romantic poetry to provocative essays, like “Esthely Blue” (a magical-realist semi-autobiographical story of sex, work, and disappearing body parts), “At the Gates of the City” (a Mormon ghost story), and the award-winning story “A Gentle Man” (an affecting tale of an immigrant father’s attempt to reconcile his own yearning for home with his children’s individual needs and desires). Mohanraj boldly explores sexuality, ethnicity, and their interactions with the human heart.

Il est parfois plus difficile de respirer en dehors de l'eau que dans les profondeurs des vastes océans... Sur l'île de Jeju, au sud de la Corée, Hana et sa petite sœur Emi appartiennent à la communauté haenyeo, au sein de laquelle ce sont les femmes qui font vivre leur famille en pêchant en apnée. Un jour, alors qu'Hana est en mer, elle aperçoit un soldat japonais sur la plage qui se dirige vers Emi. Aux deux filles on a maintes fois répété de ne jamais se retrouver seules avec un soldat.

Flèche (the French word for 'arrow') is an offensive technique commonly used in fencing, a sport of Mary Jean Chan's young adult years, when she competed locally and internationally for her home city, Hong Kong. This cross-linguistic pun presents the queer, non-white body as both vulnerable ('flesh') and weaponised ('flèche'), and evokes the difficulties of reconciling one's need for safety alongside the desire to shed one's protective armour in order to fully embrace the world.