Showing results for "Multimedia" in Gothic

The moonlight spills like silver across ancient walls, and somewhere in the velvet darkness, a whisper stirs—a name, half-sighed, half-forgotten. Carmilla. A name as soft as a caress, as chilling as a shadow at the edge of the candle's glow. She does not knock at your door; she drifts through it like a dream. She is beauty wrapped in mystery, desire woven with dread. This is not a story of fangs bared in the night, nor of crude terrors lurking in the crypt. Carmilla is subtler, more intoxicating—a tale that shivers on the border between love and death, fascination and fear.

A gothic melodrama full of subtle impression and epigram, which tells a story about moral corruption. The Picture of Dorian Gray touches on many of Wilde's recurring themes, such as the nature and spirit of art, aestheticism and the dangers inherent to it.

Three Gothic Novels is a compelling collection that brings together three quintessential works of Gothic literature: Mary Shelley's Frankenstein, Joseph Sheridan Le Fanu's Carmilla, and Bram Stoker's Dracula. Each novel delves into the macabre and the supernatural, exploring themes of fear, horror, and the unknown, while also probing deeper questions about humanity, morality, and the boundaries of science and nature. In Frankenstein, Mary Shelley tells the haunting tale of Victor Frankenstein, a young scientist who defies natural laws to create life, only to be horrified by the monstrous being he brings into existence.

Desperate in his search of the secret of life, young Dr Victor Frankenstein attempts to construct and then bring to life a previously inanimate creature. He succeeds, yet immediately finds himself horrified and repulsed by the fruit of his long-lasting labors and, as a result, abandons the creature without a word. This action begins a series of tragic events in the life of the scientist, as the enraged monster begins his quest to fill every minute of Dr. Frankenstein's life with terror, dread and misery.

Бочка амонтильядо — оповідання Едґара Аллана По, вперше опубліковане у 1846 році. Сюжет розповідає історію дворянина, котрий здійснив довгоочікувану помсту кривднику так, що її ніхто не зумів розкрити. Збіднілий дворянин на ім'я Монтрезор розповідає, як помстився своєму кривднику, заможному та знаменитому дворянину Фортунато. Він згадує численні приниження, яких зазнав від Фортунато, проте не описує їх (що може натякати на божевілля оповідача). Монтрезор обирає часом здійснення помсти міський карнавал, коли кривдник буде напідпитку.

Падіння дому Ашерів - це новела американського письменника Едгара Аллана По, опублікована спочатку в 1839 році в журналі Джентльмен Бертона, потім увійшла до збірки Казки про гротеск і Арабеск в 1840 році. Новела, твір, готична фантастика, включає теми безумства, сім'ї, ізоляції та метафізичних ідентичностей.хорор, містика, фантастика жахів, готична художня література, темний романтизм

Метценгерштайн (Metzengerstein) — перша опублікована новела американського письменника і поета Едгара Аллана По. Вперше була надрукована на сторінках журналу Saturday Courier у 1832 році.За життя Едгара По перевидалася ще двічі, у трохи змінених редакціях, один раз із підзаголовком Історія в німецькому стилі (A Tale In Imitation of the German). Для останнього видання у збірці Гротески і арабески, По прибрав підзаголовок. Вірогідно, автор вважав новелу одним із своїх найкращих творів, оскільки планував включити її у ще дві збірки, які з різних причин не були видані.

Одинокий гробовщик, привыкший к тишине и печали, однажды оказывается в самом неожиданном обществе. Но кто его гости — соседи или… клиенты? Гробовщик — изящная готическая миниатюра, где за лёгкой усмешкой слышится звон колокольчика, а между строк сквозит нешуточная сатира.

This little novel by Robert Lewis Stevenson is a real classic of the "horror literature". Moreover, its popularity with time only increases. The scientist puts on a daring and dangerous experiment. From the depths of the subconscious, he releases his dark personality, the sinister scoundrel and murderer, Mr. Hyde. He causes an inexplicable disgust for everyone who communicates with him. Dr. Henry Jekyll, nevertheless, leaves a testament in which, in the event of his death, leaves all to Hyde.

Set on Sullivan's Island, South Carolina, the plot follows William Legrand, who was recently bitten by a gold-colored bug. His servant Jupiter fears Legrand is going insane and goes to Legrand's friend, an unnamed narrator who agrees to visit his old friend. Legrand pulls the other two into an adventure after deciphering a secret message that will lead to a buried treasure.

Ligeia - Morella -The Oval Portrait are a short stories in the Gothic horror genre by 19th-century American author and critic Edgar Allan Poe. Poe's short story Ligeia offers the account of an opium-addled narrator who believes that he has seen the resurrection of his beloved first wife, Ligeia, after the death of his second wife, Rowena. Morella by Edgar Allan Poe is about a woman who seemingly dies and gives birth to a daughter who looks just like her. Her husband loves the daughter, but she dies when he names her the same as her mother, implying that mother and daughter were the same person.

The Murders in the Rue Morgue is a short story by Edgar Allan Poe published in Graham's Magazine in 1841. It has been described as the first modern detective story; Poe referred to it as one of his "tales of ratiocination". C. Auguste Dupin is a man in Paris who solves the mystery of the brutal murder of two women.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms.

The Pit and the Pendulum is a short story written by Edgar Allan Poe and first published in 1842 in the literary annual The Gift: A Christmas and New Year's Present for 1843. The story is about the torments endured by a prisoner of the Spanish Inquisition, though Poe skews historical facts. The narrator of the story describes his experience of being tortured. The story is especially effective at inspiring fear in the reader because of its heavy focus on the senses, such as sound, emphasizing its reality, unlike many of Poe's stories which are aided by the supernatural.

The Tell-Tale Heart is a short story by Edgar Allan Poe first published in 1843. It follows an unnamed narrator who insists on his sanity after murdering an old man with a "vulture eye". The murder is carefully calculated, and the murderer hides the body by cutting it into pieces and hiding it under the floorboards. Ultimately the narrator's guilt manifests itself in the hallucination that the man's heart is still beating under the floorboards. The story was first published in James Russell Lowell's The Pioneer in January 1843.

"Hop-Frog" (originally "Hop-Frog; Or, the Eight Chained Ourang-Outangs") is a short story by American writer Edgar Allan Poe, first published in 1849. The title character, a person with dwarfism taken from his homeland, becomes the jester of a king particularly fond of practical jokes. Taking revenge on the king and his cabinet for the king's striking of his friend and fellow dwarf Trippetta, he dresses the king and his cabinet as orangutans for a masquerade. In front of the king's guests, Hop-Frog murders them all by setting their costumes on fire before escaping with Trippetta.

"The Black Cat" is a short story by Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. It is a study of the psychology of guilt, often paired in analysis with Poe's "The Tell-Tale Heart". In both, a murderer carefully conceals his crime and believes himself unassailable, but eventually breaks down and reveals himself, impelled by a nagging reminder of his guilt.

"The Cask of Amontillado" (sometimes spelled "The Casque of Amontillado" [a.mon.ti.ˈʝa.ðo]) is a short story by Edgar Allan Poe, first published in the November 1846 issue of Godey's Lady's Book. The story, set in an unnamed Italian city at carnival time in an unspecified year, is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive - in this case, by immurement.