Showing results for "Natasha" in Americas

Award-winning journalist Natasha S. Alford grew up between two worlds as the daughter of an African American father and Puerto Rican mother. In American Negra, a narrative that is part memoir, part cultural analysis, Alford reflects on growing up in a working-class family from the city of...

In Writing the Big Book, William H. Schaberg presents an exciting, research-driven narrative of the history of the book, Alcoholic Anonymous, and the formative years of A.A. Granted extensive access to the group's archives along with several other sources, the author reveals the early Fellowship's conflicts and personalities, successes and failures, and dispels many of the myths found in such canonical texts as Dr. Bob and the Good Old Timers, Alcoholics Anonymous Comes of Age, and A Brief History of the Big Book.

Award-winning viral curator and poet Natasha Marin follows up her acclaimed Black Imagination with a brilliant new collection of sharply rendered, breathtaking reflections from more than one hundred Black voices.

The Color Pynk is a passionate exploration of Black femme poetics of survival. Sidelined by liberal feminists and invisible to mainstream civil rights movements, Black femmes spent the Trump years doing what they so often do best: creating politically engaged art, entertainment, and ideas. In the first full-length study of Black queer, cis-, and trans-femininity, Omise'eke Natasha Tinsley argues that this creative work offers a distinctive challenge to power structures that limit how we color, gender, and explore freedom.

This dynamic collection of Black voices, performed by Tony and Grammy Award-winning actor, rapper, and producer Daveed Diggs and Emmy Award-winning writer, creator, producer, and actor Lena Waithe, works like an incantation of origin, healing, and imagination. Born from a series of conceptual art exhibitions, the perspectives gathered here are nowhere near monochromatic.

It is 1984 in Chile, in the middle of the Pinochet dictatorship. A member of the secret police walks into the office of a dissident magazine and finds a reporter, who records his testimony. The narrator of Nona Fernández's mesmerizing and terrifying novel The Twilight Zone is a child when she first sees this man's face on the magazine's cover with the words "I Tortured People". His complicity in the worst crimes of the regime and his commitment to speaking about them haunt the narrator into her adulthood and career as a writer and documentarian.

Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation's culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.