Showing results for "Natives" in Poetry

Winner of the 2007 Pulitzer Prize for Poetry Former U.S. Poet Laureate, Natasha Trethewey’s Native Guard is a deeply personal volume that brings together two legacies of the Deep South. Through elegaic verse that honors her mother and tells of her own fraught childhood, Natasha Trethewey...

The Native-Born is Rudyard Kipling in full, booming voice—an ode to homeland, heritage, and the fierce pride of those raised under blazing southern skies. Through vivid imagery and pulsing rhythm, Kipling toasts the people of the far-flung British colonies: the “Sons of the Golden South,” the settlers and workers who carved their lives into vast prairies, tin-roofed towns, and coastlines battered by sun and sea.

Based on Natasha Trethewey's collection of poems, The Alliance Theatre's production of Native Guard is both an elegy to her mother and a journey into Mississippi's Civil War history. In poetry and song, she reflects on her mother's passing while contemplating the former slaves who became soldiers in a regiment known as the Native Guard. Trethewey's work was the winner of the 2007 Pulitzer Prize in Poetry.

Margaretta Matilda Odell's 1834 Memoir and Poems of Phillis Wheatley is the only substantive early source on Wheatley's life. Phillis Wheatley (ca. 1753-1784) is considered the first African American poet to write for a transatlantic audience, and her Poems on Various Subjects, Religious and Moral (1773) kindled debates about race.

Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.