Showing results for "Never Never" in Art & Literature

'Money is handy for doing messages' was a phrase the young Tommie Gorman heard from his father, growing up in Sligo in the 1960s. Struggle was never far away but their household had a surplus of love and warmth. From modest beginnings as a local reporter at the Western Journal, where his deadlines were dependent on the bus schedule, Tommie landed at RTÉ, taking up the post of North-West correspondent in 1980. Over the next four decades he became a familiar presence in Irish homes, known for his coverage of Europe and Northern Ireland.

When Keelin Shanley passed away aged 51, it was hard to grasp that someone so filled with life was gone. But a light so bright never really goes out, especially since in her last few months Keelin left behind this remarkable record of her life - a life cut short, but lived to the fullest. Charting the twists and turns of both a career as an investigative journalist and a lengthy battle with cancer, A Light That Never Goes Out reveals with real honesty what it’s like to keep living your life whilst dealing with the challenges of cancer treatment.

In this moving story, the New York Times bestselling author of The Greatest Generation chronicles the values and lessons he absorbed from his parents and other people who worked hard to build lives on the prairie during the first half of the twentieth century. “A spare, elegant masterpiece...

Avec une plume aussi bien trempée que son caractère, Nathalie Petrowski a toujours été un esprit libre. Dans La critique n'a jamais tué personne, elle nous livre, sans faux-fuyants et sans règlements de compte, ses mémoires de journaliste. Ceux d'une femme qui, du p'tit Simard à Marie-Mai, de René Lévesque à Manon Massé, du sexisme ordinaire à #metoo et du Jerrold au iPad, jette un regard passionné et critique sur la culture, le journalisme et ses enjeux.

Pendant presque 25 ans, la journaliste Isabelle Richer a suivi les procès les plus marquants et les plus significatifs à titre de correspondante au palais de justice de Montréal. Couvrir ainsi la scène judiciaire, c’est côtoyer le pire de la nature humaine, rappelle-t-elle. C’est plonger au cœur de la violence, la détresse, la folie et la douleur. Être ainsi quotidiennement confronté à tant de drames laisse des traces.