Showing results for "No!" in Genre Fiction

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Our dream home. A fresh start. But the house comes with secrets — and so do the neighbours. The moment we moved in, I knew something was wrong. A cracked stove. Scribbles on the wall. The lights flicking off every evening — always at the same time. Our daughter crying in the night, pointing at the corner of her room. "She has no face." Now the gifts are arriving. Notes through the door. A bottle left in the kitchen with no explanation. And my daughter won't stop screaming in her sleep. Everyone thinks I'm imagining it. But I know what I saw. What I heard.

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

Written with compassionate realism and wit, the stories in this mesmerizing collection depict the disparities of town and village life in South America, of the frightfully poor and outrageously rich, of memories and illusions, and of lost opportunities and present joys. Stories include "No One Writes to the Colonel", "Tuesday Siesta", "One of These Days", "There Are No Thieves in This Town", "Balthazar's Marvelous Afternoon", "Montiel's Widow", "One Day After Saturday", "Artificial Roses", and "Big Mama's Funeral".

Told in Ruskin Bond's simple yet poignant style, the stories and poems in No Man Is an Island thoughtfully explore the many shades of friendship and camaraderie. Featuring classic tales such as 'The Woman on Platform No. 8', in which a mysterious stranger befriends a young boy, and 'The Crooked Tree', in which a writer and a hawker form an unlikely bond, this heartwarming collection is a must-listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Cormac McCarthy, best-selling author of National Book Award winner All the Pretty Horses, delivers his first new novel in seven years. Written in muscular prose, No Country for Old Men is a powerful tale of the West that moves at a blistering pace.

A NEW YORK TIMES BESTSELLER A READ WITH JENNA TODAY SHOW BOOK CLUB PICK A New York Times Book Review Editors’ Choice A Washington Post 10 Books to Read in March A Marie Claire Best Women’s Fiction of 2019 A Washington Book Review Difficult-To-Put-Down Novel A Refinery 29 Best...

No Orchids for Miss Blandish was crime author James Hadley Chase’s first novel, and an experiment in adapting American hard-boiled crime fiction by a British author. Inspired by James Cain and The Postman Always Rings Twice, it worked so well that it launched the former salesman’s writing career. He went on to write over eighty novels sold worldwide with a huge American, Asian and European following.

A young woman walks into an employment agency and requests a job that has the following traits: It’s close to her home, and it requires no reading, no writing, and, ideally, very little thinking. Her first gig - watching the hidden-camera feed of an author suspected of storing contraband goods - turns out to be inconvenient. Her next gives way to the supernatural: announcing advertisements for shops that mysteriously disappear. As she moves from job to job, it becomes increasingly apparent that she's not searching for the easiest job at all but something altogether more meaningful.

Two years ago, Olivia Martindale left behind her Montana hometown and her husband, Jace, certain it was the best decision for both of them. Back temporarily to protect her almost-adopted daughters from their biological mother, she discovers an old, handwritten cookbook in the attic. Its pages are stained and torn, their edges scorched by flame. Some have been smeared by water or tears. The recipes are written in different hands and in different languages.

When Rosie inherits No.13 Arundel Crescent from the birth parents she never knew, the large house in London’s upmarket Notting Hill feels like a dream come true, at first... But dreams can become nightmares. The house is crumbling around her and has conditions attached. She can’t sell it on, and before long, she’s forced to take in lodgers, just to pay the bills.

New Orleans criminal psychologist Kit Franklyn, lately drowning in personal doubts about her life and career, thinks that investigating the corpse she found in the garden of her new home will be the perfect distraction. Together with her boss, chief medical examiner Andy Broussard, she sets out to solve this case that seems plain unsolvable. Though they identify the body as a missing hooker, now dead 27 years, all hope of conviction still seems lost.

Shortly after 9.30 in the morning, a young man walks into Surf City, Bondi’s newest shopping complex. He’s wearing a dark grey hoodie - and a bomb around his neck. Just a few minutes later, he is locked in a shop on the upper floor. And trapped with him are four innocent bystanders. For police chaplain Paul Doherty, called to the scene by Senior Sergeant Boehm, it’s a story that will end as tragically as it began. For this is clearly no ordinary siege. The boy, known as Ali Khan, seems as frightened as his hostages and has yet to utter a single word.

A timeless story of isolation and inner torment, Osamu Dazai's No Longer Human follows Yozo Oba, a man who hides behind laughter while drifting toward self-destruction.

Emma hasn't told her husband much about her past. He knows her parents are dead and she hasn't spoken to her sisters in years. Then they lose their apartment, her husband gets laid off, and Emma discovers she's pregnant—right as the bank account slips into the red. That's when Emma confesses that she has one more asset: her parents' house, which she owns jointly with her estranged sisters. They can't sell it, but they can live in it. But returning home means that Emma is forced to reveal her secrets to her husband.

Mae Benson was happy—a beloved wife, beloved mother, beloved neighbor. But even she wasn’t ready for the tragedy looming around the corner. The accident that claims her husband’s life rocks the whole family. And it’s not the only thing stirring up trouble. Mae’s oldest, Eliza, is facing an unexpected pregnancy with a fiancé she no longer wants to be with. Her daughter Holly is caught in a marriage on the rocks. Headstrong daughter Sara is reeling in the throes of a forbidden work-place romance. And her youngest son, Brent, is drowning in sorrow and guilt.

To start their new life together, Jamie Pratt and his young bride join a westward wagon train bound for the Rocky Mountains. They get as far as Helena when their unscrupulous wagon master deserts them, leaving them as good as dead in a godforsaken, blood-scorched land. The other settlers agree to set stakes where they are, but Jamie and his bride press on toward the Bitterroot Valley, deep into Sioux territory. They never come out the other side.

Cara Hamilton had thought her brother to be dead. Now, clutching his letter, she leaves Ireland for America, desperate to find him. Her search leads her to a houseful of curious strangers, and one man who claims to be a friend - Rourke Walsh. Despite her brother’s warning, Cara trusts Rourke, revealing her purpose in coming to New York. She’s then thrust into a world of subterfuge, veiled threats, and attempted murder, including political revolutionaries from the homeland out for revenge.

‘An excellent thriller that had me hooked from the start’ Katerina Diamond ‘Breathlessly fast-paced and cleverly unsettling … the very definition of unputdownable’ Heat ‘A paranoia-inducing plot that makes you question everyone!’ Sam Carrington Don’t. Trust. Anyone. It was...