Showing results for "No!" in Popular Culture

Many books explain what we know about the universe. This one, from the hugely popular PhD Comics (50 million readers since 2008), tackles all the weird stuff we haven't figured out yet. In our small corner of the universe, we know how some matter behaves most of the time and what even less of it looks like, and we have some good guesses about where it all came from. But we really have no clue what's going on.

Random House presents the audiobook edition of All That Remains by Professor Sue Black, read by the author. Sue Black confronts death every day. As Professor of Anatomy and Forensic Anthropology, she focuses on mortal remains in her lab, at burial sites, at scenes of violence, murder and...

A obra destaca experiências de escritores como Jorge Luís Borges e João Cabral de Melo Neto com os livros, a leitura e a cegueira. Discute questões essenciais para leitores e autores cegos, como o uso de audiolivros, do sistema braile e a perda da sensação de liberdade e privacidade no âmbito da leitura. Ao mesmo tempo, leva o ouvinte a refletir sobre o próprio acesso à literatura por parte dos deficientes visuais.

No Such Thing as Normal is a deeply researched, timely, essential book that will shine a light on the psychiatric industry: its genesis, its obsession with often ineffective, over-medicalised treatments, and its relationship with a pharmaceutical industry driven by profitability rather than meaningful social welfare and change.

Humor is the most celebrated of all Jewish responses to modernity. In this book, Ruth Wisse evokes and applauds the genius of spontaneous Jewish joking - as well as the brilliance of comic masterworks by writers like Heinrich Heine, Sholem Aleichem, Isaac Babel, S. Y. Agnon, Isaac Bashevis Singer, and Philip Roth. At the same time, Wisse draws attention to the precarious conditions that call Jewish humor into being - and the price it may exact from its practitioners and audience.

"Funny, genuine and knowledgeable about something that meant so much to all of us." —Ben Schwartz A hilarious and nostalgic memoir about the video games that entertain and inspire us, and even hold the power to transform our lives, from an Emmy-nominated television writer, stand-up comedian...

Es gibt keine Grenzen mehr: Das glaubt man jedenfalls am Beginn der Neunzigerjahre. Die Berliner Mauer fällt, die Welt rückt zusammen, und sie vernetzt sich. Die ersten Knoten des World Wide Web werden geknüpft, die ersten Suchmaschinen programmiert. In Berlin wird Techno zum Soundtrack der Wiedervereinigung, Neonfarben beherrschen das Bild, Piercings und Tätowierungen erobern den Mainstream, das Arschgeweih gerät zum stilistischen Symbol der Dekade. Aber unter der heiteren Oberfläche brechen alte Konflikte auf, Gespenster aus der Vergangenheit kehren zurück.

 For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time. 

During its heyday, the Chelsea Hotel in New York City was a home and safe haven for Bohemian artists, poets, and musicians such as Bob Dylan, Gregory Corso, Allen Ginsberg, Janis Joplin, and Dee Dee Ramone. This oral history of the famed hotel peers behind the iconic facade and delves into the mayhem, madness, and brilliance that stemmed from the hotel in the 1980s and 1990s.

Things No One Will Tell Fat Girls is a manifesto and call to arms for women of all sizes and ages. With smart and sassy eloquence, veteran blogger Jes M. Baker calls on women to be proud of their bodies, fight against fat shaming, and embrace a body-positive worldview to change public perceptions and help women maintain mental health.

The critically acclaimed first-person shooter franchise Borderlands knows it’s ridiculous. It’s a badge of pride. These space-western games encourage you to shoot a lot of enemies and monsters, loot their corpses, and have a few chuckles while chasing down those bazillion guns. As Kaitlin Tremblay explores in Ain’t No Place for a Hero, the Borderlands video game series satirizes its own genre, exposing and addressing the ways first-person shooter video games have tended to exclude women, queer people, and people of colour, as well as contribute to a hostile playing environment.