Showing results for "One Shot" in African American

Los Angeles, 1963: African American Korean War veteran Harry Ingram earns a living as a news photographer and occasional process server: chasing police radio calls and dodging baseball bats. With racial tensions running high on the eve of Martin Luther King’s Freedom Rally, Ingram risks ending up one of the victims at every crime scene he photographs. When Ingram hears a call over the police scanner to the scene of a deadly automobile accident, he recognizes the vehicle described as belonging to his good friend and old army buddy, the white jazz trumpeter Ben Kinslow.

After a disastrous attempt at a one-night stand, Eliott Rayne is content with never seeing the wildly confident and ridiculously handsome Dane Clarke again. Two years later, she's mostly pushed him from her mind when he barrels into her life once more as the best man at a wedding she's been hired to photograph. Her first instinct is to run, cancel the job, and get as far away from Dane as possible. But Dane has other ideas. When Eliott reveals the embarrassing reason behind their failed night together, Dane is undeterred

In the club, with flashing lights and loud music, seeing him across the room is a scene out of a movie. We lock eyes and sway to the beat—instantly connecting. He nudges his head, calling me to the other side. Me? Of all the women in the club, this sexy man wants me to join him in VIP. So I do. And then I realize how tall he is, and the other guys surrounding him are also. Wait. This guy was on the basketball court at the game I watched the night before. The guys standing around him are his teammates on the Houston Outlaws.