Showing results for "Portraits" in Biographies of Artists, Architects & Photographers

Georgia O'Keeffe, one of the most original painters America has ever produced, left behind a remarkable legacy when she died at the age of 98. Her vivid visual vocabulary, sensuous flowers, bleached bones against red sky and earth, had a stunning, profound, and lasting influence on American art in this century.

Summer in Paris, 1783. The Louvre steps, too hot and no breeze, the air electric with the heady anticipation of a coming storm: the year's Royal Salon. Men and women of every estate are united under art: to love it, to despise it, to gossip endlessly about it. Exhibiting at the Royal Salon was not for the faint of heart, and it was never intended for women. Enter Adélaïde Labille-Guiard . . . Born in Paris in 1749, Adélaïde Labille-Guiard rose from shopkeeper's daughter to an official portraitist of the royal court—only to have her achievements reduced to ash by the French Revolution

Wer war er? Scharlatan, Guru, Magier, Schamane? Oder ein Künstler, der die Dimensionen herkömmlicher Kunst und Kunstauffassung sprengte? Basierend auf jahrzehntelangen persönlichen Kontakten und Gesprächen mit Angehörigen und Freunden, Anhängern und Gegnern, entwirft Heiner Stachelhaus ein einfühlsames und differenziertes Portrait eines komplizierten Künstlerlebens.

Forged in the stress of early motherhood, The Mother Artist explores the fraught yet generative ties between caregiving and creative practice. As a young mother working at a museum, essayist Catherine Ricketts began asking questions about the making of motherhood and the making of art. Now, with incantatory prose and an intuitive gaze, she twines intimate meditations on parenthood with studies of the work and lives of painters, writers, dancers, musicians, and other creatives.

With lips slightly parted and eyes fixed on a point in the distance, a breathtaking marble portrait of Costanza Piccolomini appears alive. Carved by Gianlorenzo Bernini in 1636 - 37 for his own pleasure, the portrait of Costanza is one of his most captivating works, but until now little has been known about its subject. For centuries Costanza was identified only as Bernini's mistress, who later incited his rage by betraying him for his brother. Author Sarah McPhee corrects and expands this story in her remarkable biography of a sculpture and its subject.