Showing results for "Roaring" in Anthologies & Short Stories

Proper Scoundrels Their scandalous pasts have left them wounded and unworthy—and hopelessly perfect together. London, 1925 Sebastian de Leon is adjusting to life after three years spent enthralled by blood magic. The atrocities he committed under its control still weigh heavily on his...

Five siblings. Five obligations. Five chances at sizzling, unexpected love.

This is a collection of tales of the California Gold Rush era by the Western author, Bret Harte. It's a mix of local color, drama, and humor. Several film versions of "The Outcasts of Poker Flat" have been made, and John Payne and Ronald Reagan starred in an adaptation of "Tennessee's Partner" in 1955. The spaghetti Western Four of the Apocalypse is based on "The Outcasts of Poker Flat" and "The Luck of Roaring Camp".

Bret Harte was an American short-story writer and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. We offer now some samples of his diversity in a collection of his short stories: “The Outcasts of Poker Flats”, “Tennessee’s Partner”, “The Idyl of Red Gulch”, “Brown of Calaveras”, “Muck-A-Muck”, “The Ninety-Nine Guardsmen”, “Mr. Midshipman Breezy”, “The Legend of Monte Del Diablo”, and more.

Step into the rugged world of The Luck of Roaring Camp, where rough-hewn miners, chance, and the untamed frontier collide in unexpected ways. Bret Harte's masterful storytelling captures the raw beauty and unvarnished humanity of California's Gold Rush era. With its blend of grit, humor, and heartfelt emotion, this tale shines a light on the unlikeliest bonds and the transformative power of hope. Discover a story where the harshest landscapes yield the richest treasures — not of gold, but of the human spirit.

'Romance in the Roaring Forties' & 'The Lemon Drop Kid' from from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.