Showing results for "Robert W. Chambers" in Classics

“Have you seen the Yellow Sign?” mumbles a cadaverous hearse driver with a soft, squishy head. He’s been skulking about Scott’s painting studio, where he and Tessie have been developing a tangled relationship between artist and model. But as this ever-present watchman resembling a coffin worm begins to distract Scott, his portrait of Tessie takes on a deathlike pallor. How can they forever rid themselves of this hearse stalker? And what precisely does he mean by a “Yellow Sign”?

What is the terrible secret at the heart of The King in Yellow? The forbidden play’s second act is said to drive all those who read it mad. And the sinister text casts its shadow of dread over Robert W. Chambers’s collection of weird, supernatural stories of the same name. Threaded with elements of fantasy, science fiction, the supernatural, and gothic horror, this cult classic continues to inspire the imagination of artists - from H. P. Lovecraft to the writers of HBO’s True Detective - and delight connoisseurs of the macabre.

Skillfully narrated by voice actor Mark Turetsky, The King in Yellow by Robert W. Chambers is a classic in the field of the supernatural. The series of 10 short stories is named after a fictional play of the same name which induces madness in the minds of those that read it. The Yellow King and Carcosa were often alluded to in a popular TV series True Detective, where evil and madness are often a theme.

The King in Yellow is a book of 10 classic short stories about the supernatural. The first four mention "The King in Yellow", a forbidden play which induces despair or madness in those exposed to it. The tales have a macabre undertone, focusing on characters that are inhabitants of the demi-monde.

A symbol. A warning. A descent into something far more unsettling than imagination. In The Yellow Sign, from The King in Yellow by Robert W. Chambers, a quiet life begins to unravel under the influence of a mysterious and forbidden symbol. What starts as curiosity soon becomes dread, as reality...

In the heart of Paris, amidst the bohemian world of artists and dreamers, a chilling tale of mystery and the macabre unfolds. Louis De Cressac, a gifted painter, lives a life of solitude and obsession, haunted by a dark legacy tied to the sinister Black King. When his friend, Jack Scott, visits, he is drawn into a world where art and the supernatural intertwine in terrifying ways.

In this dark story by Robert W. Chambers we are introduced to a detective, who is tasked to uncover a hoax in the Pacific Northwest. There he investigates the possible existence of a terrible porpoise-skinned humanoid with an insatiable hunger for human females. If you like reading dark and weird stories, then "The Harbor Master" from 1904 is the right one for you. Do not hesitate to embark on this journey and solve the mystery of the porpoise-skinned humanoid. B. J.

Hildred Castaigne is a young man who lives in New York City whose life changes drastically after he falls from his horse and injures his head. Castaigne gets unjustly confined to a mental institution, where Dr. Archer treats him. However, the doctor soon realizes, that this is a mistake and the young man’s condition is not as bad as he was told. During Hildred’s treatment, the United States have prospered and improved their infrastructure, a new aristocratic elite has been formed and suicide has been legalized.

From The King in Yellow, by Robert W. Chambers, and set in the Latin Quarter of Paris, artist Jack Trent lives with his model Sylvia. The story takes place during the Seige of Paris in 1870, ending with the Germans shelling the Latin Quarter, and Trent arriving home to see a child scrawling "Here fell the first shell".

From The King in Yellow, this tale narrated by Mark Alexander begins: "The street is not fashionable, neither is it shabby. It is a pariah among streets - a street without a Quarter. It is generally understood to lie outside the pale of the aristocratic Avenue de l'Observatoire. The students of the Montparnasse Quarter consider it swell and will have none of it. The Latin Quarter, from the Luxembourg, its northern frontier, sneers at its respectability and regards with disfavour the correctly costumed students who haunt it. Few strangers go into it."

"The Yellow Sign" is considered to be Robert Chambers’ horror masterpiece. He introduces us to Mr. Scott, an artist living in New York City. One day, Scott sees an overweight young man, who looks like a lawn grub to him. The artist’s is working on a painting of a girl named Tessie. When the girl falls ill, Scott tries to cure her, so he can finish his work as fast as possible. However, Tessie’s condition gets worse and she starts having very strange dreams.

While taking a break from his latest painting, an artist casually stands at his window, looking at the street below. Much to his horror he sees a hideously disfigured man, a man whose features draw a repulsive shudder - the artist recognizes him from a nightmare foretelling his own death.

This short story from The King in Yellow, by Robert W. Chambers, skilfully narrated by Mark Turetsky, concerns an artist, Severn, who lives alone in the Latin Quarter of Paris who befriends a stray cat. Not an ordinary cat, but a pampered cat with a mysterious and lovely owner.

Robert W. Chanbers' The King in Yellow, a collection of short stories, is considered one of the most important works of American supernatural fiction. Within the collection is "The Prophets' Paradise," a dream-like narrative of prose and poetry. Featuring personifications of Love and Truth, the story's structure has a palindrome-like quality with internal repetition. Romantic in tone and ambiguous in theme, "The Prophets' Paradise" is one of Chambers' more experimental pieces.

From The King in Yellow by Robert W. Chambers, this story is set in the Latin Quarter of Paris, where a young artist falls in love with a nameless girl. He has no name, so he names her by the street. Rue Barree in English translates to Road Closed. Are there connotations here, or not?

It is the turn of the last century, and Alaska is a mysterious wilderness. At the suggestion of several hundred thousand ladies desiring to revel and possibly riot in the saturnalia of equal franchise, the unnamed lakes in that vast and little known region in Alaska bounded by the Ylanqui River and the Thunder Mountains were now being inexorably named after women.

"The Profit’s Paradise" is a story from The King in Yellow narrated by Mark Turetsky, a collection of eight dreamlike poems by Robert W Chambers.

Robert William Chambers was born on 26th May 1865 in Brooklyn. His best-known work is ‘The King in Yellow’ (1895), a highly vivid collection of Art Nouveau short stories. These stories are woven together by the theme of a fictitious drama of the same title, which drives those who read it insane. ‘The Repairer of Reputations’ from ‘The King in Yellow’ is a mind-bending and disruptive story that adds just enough reality that the unreal elements seem totally at home in the descent to chaos.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.