Showing results for "SOUL" in Black & African American

Witness powerful stories about the effects and realities of living in a prejudiced society in this audio bundle of classic Black narratives. These selections are both fictional and nonfictional stories of living in a society that devalues and dehumanizes the lives of Black people. Though all four of these books were written more than a hundred years ago, the realities within are still important for modern audiences to understand.

Through a series of essays, Du Bois explores the psychological impact of racism, the struggle for equality, and the concept of "double consciousness"—the tension of being Black in a society that marginalises you. A seminal work in American history and literature, this book challenges the notion of a "post-racial" world, urging readers to confront the deep-rooted injustices that continue to shape the lives of Black Americans.

Soul by Soul tells the story of slavery in antebellum America by moving away from the cotton plantations and into the slave market itself, the heart of the domestic slave trade. Taking us inside the New Orleans slave market, the largest in the nation, where 100,000 men, women, and children were packaged, priced, and sold, Walter Johnson transforms the statistics of this chilling trade into the human drama of traders, buyers, and slaves, negotiating sales that would alter the life of each.

A timely groundbreaking book in the vein of Derrick Bell's Faces at the Bottom of the Well, one of the country's foremost voices on reparations, offers a radical and vital new framework going beyond the current debate over this controversial issue. For over a century, the idea of reparations for...

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light— the jazz, the blues, the field hollers, the spirituals— and creating something wholly new, wholly theirs, wholly ours.

W. E. B. Du Bois was the foremost Black intellectual of his time. The Souls of Black Folk, his most influential work, is a collection of 14 beautifully written essays, by turns lyrical, historical, and autobiographical. Here, Du Bois records the cruelties of racism, celebrates the strength and pride of black America, and explores the paradoxical "double-consciousness" of African American life.

At age four, Phyllis Biffle Elmore was plucked off her front porch in Detroit and dropped on her grandmother Lula Horn's doorstep in rural Alabama. Phyllis felt utterly abandoned until Grandma Lula showed her both all-encompassing love and her intricate "Quilts of Souls." Phyllis listened intently as Lula told epic stories of folks who had passed on as she turned their clothing into breathtaking quilts for their families.

An important book of epic scope on America's first racially integrated, religiously inspired movement for change. The true story of the Underground Railroad is much more morally complex and politically divisive than even the myths suggest. Against a backdrop of the country's westward expansion...

W.E.B. Du Bois, who drew from his own experiences as an African-American living in American society, explores the concept of "double-consciousness"—a term he uses to describe living as an African-American and having a "sense of always looking at one's self through the eyes of others." With Du Bois' examination of Black life in post-Civil War America, his explanation of the meaning of emancipation and its effect, and his views on the roles of the black leaders of his time, The Souls of Black Folk is one of the important early works in the field of sociology.

“The problem of the twentieth century is the problem of the color line,” writes Du Bois, in one of the most prophetic works in all of American literature. First published in 1903, this collection of 15 essays dared to describe the racism that prevailed at that time in America—and to demand an end to it. Du Bois’ writing draws on his early experiences, from teaching in the hills of Tennessee, to the death of his infant son, to his historic break with the conciliatory position of Booker T. Washington.

The Souls of Black Folk was published in 1903 as a collection of essays from W.E.B. Du Bois, an African-American sociologist who wrote frequently about his experiences as a Black man for magazines and other publications. This book is comprised of 14 essays, with Du Bois’s overall message being that Black people were equally worthy of the rights of White people: to vote, to receive a good quality education, and to be treated justly.

First published in 1903, this groundbreaking work is a cornerstone of African American literary history and a foundational text in the field of sociology. In these fourteen essays, W. E. B. Du Bois introduces and explores the concept of “double-consciousness”—a term he uses to describe the experience of living as an African American and having a “sense of always looking at one’s self through the eyes of others.” Though an examination of Black life in post-Civil War America, The Souls of Black Folk has had a lasting impact on civil rights and the discussion of race in the United States.

The Souls of Black Folk is a classic work by W. E. B. Du Bois. Originally published in 1903, it contains many essays on race and equality, but is also a piece of seminal history, laying the groundwork for the field of sociology. Some of the essays in the book were even previously published by the Atlantic Monthly magazine. When writing, Du Bois drew from his personal experiences as an African-American in America to highlight the issues of prejudice that were still going on into the 20th century.

A seminal work in the history of sociology and a cornerstone of African American literature. Du Bois drew from his own experiences as an African American in American society. Outside of its notable relevance in African American history, The Souls of Black Folk also holds an important place in social science as one of the early works in the field of sociology.

Speaking My Soul is the honest story of linguist John R. Rickford's life from his early years as the youngest of ten children in Guyana to his status as Emeritus Professor of Linguistics at Stanford, of the transformation of his identity from colored or mixed race in Guyana to black in the USA, and of his work championing Black Talk and its speakers. In this engaging memoir, Rickford recalls landmark events for his racial identity.

In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood.

Between its founding in 1966 and its formal end in 1980, the Black Panther Party blazed a distinctive trail in American political culture. Here Alondra Nelson deftly recovers an indispensable but lesser-known aspect of the organization's broader struggle for social justice: health care. The Black Panther Party's health activism was an expression of its founding political philosophy and also a recognition that poor Blacks were both underserved by mainstream medicine and overexposed to its harms.

Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. African American victims and survivors had to find a way to live through and beyond the horrors of lynching. Crabtree offers a theory of African American collective trauma and memory rooted in a strategy for “working through” trauma that has long existed within the African American cultural tradition: the ironic spirit of the blues sensibility—a spirit of misdirection and cunning that blends joy and pain.

Most people assume that racism grows from a perception of human difference: the fact of race gives rise to the practice of racism. Sociologist Karen E. Fields and historian Barbara J. Fields argue otherwise: the practice of racism produces the illusion of race, through what they call “racecraft.” And this phenomenon is intimately entwined with other forms of inequality in American life. So pervasive are the devices of racecraft in American history, economic doctrine, politics, and everyday thinking that the presence of racecraft itself goes unnoticed.

In this new and expanded edition of Nelson George's classic cultural study, contemporary Black culture is chronicled through essays on music, film, sports, publishing, politics, and city life, both uptown and down. Buppies enter nearly every arena of the Black urban USA: roisterous rappers and legendary hoopsters, streetwise hustlers and influential filmmakers, unsung musicians and drug dealers at work.