Showing results for "Saga" in Linguistics

The three novels that make up this trilogy have long been recognized as masterpieces of 20th-century literature, and Galsworthy as one of its leading exponents. But don’t let that be the reason you put off listening to this wonderful work. There are passion and lust in these pages, high art and low comedy, and unthinking violence that ride alongside ever-correct manners. Scandal, tragedy, despair, rape, accidental death, marriage, remarriage and a healthy leavening of births all unfold against a rolling backdrop of a world war.

“So many people have written and claimed that their families were the original of the Forsytes,” wrote Galsworthy, “that one has almost been encouraged to believe in the typicality of an imagine species.” It is the Spring of 1920, 34 years on from the beginning of the Saga. “Young Jolyon” is married to Irene after her divorce from Soames, and they now have a son, Jon. Soames has re-married and has a daughter, Fleur. A new generation of Forsytes comes of age and the Saga continues.

Theodore Racksole, a rich American multimillionaire, buys the Grand Babylon Hotel, a luxurious hotel in London, as a whim - and then finds out there are strange things going on: a German prince is supposed to arrive but never turns up, someone is found murdered in the hotel, but then the body disappears. With the help of his independent daughter Nella and another German prince, Racksole sets out to solve the mystery.

What do we talk about when we talk about Irish? When we talk about saving or supporting a language do we mean the musical combination of syllables, or something more profound? How do new words enter a language, and what is the relationship between that strange dialect called Hiberno-English and its parent language? "Craic Baby" picks up exactly where "Motherfoclóir" left off and explores the very new and very old parts of the Irish language from a personal perspective.