Showing results for "Satire" in Urban

Macon Detornay is a suburban white boy possessed and politicized by Black culture, and filled with rage toward white America. After moving to New York City for college, Macon begins robbing white passengers in his taxicab, setting off a manhunt for the Black man presumed to be committing the crimes. When his true identity is revealed, Macon finds himself to be a celebrity and makes use of the spotlight to hold forth on the evils and invisibility of whiteness.

Hard Times is the tenth novel by Charles Dickens, first published in 1854. The book surveys English society and satirizes the social and economic conditions of the era. Hard Times is unusual in several ways. It is by far the shortest of Dickens's novels, barely a quarter of the length of those written immediately before and after it. Moreover, it is his only novel not to have scenes set in London. Instead, the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town.

Gabriel is a stranger in a small Breton town. Nobody knows where he came from or why he's here. Yet his small acts of kindness, and exceptional cooking, quickly earn him acceptance from the locals. His new friends grow fond of Gabriel, who seems as reserved and benign as the toy panda he wins at the funfair. But unlike Gabriel, the fluffy toy is not haunted by his past….

Davant dels ulls del lector una plaça d’una gran ciutat sense nom i el tramvia que hi circula cobren vida. En aquest escenari minimalista es desenvolupa una història sobre les vides quotidianes i les passions ocultes dels seus residents. Tot el seu món el controla el personal invisible interessat només a maximitzar els beneficis i a infectar, amb un enfocament omnipresent, destructiu i improvisat, expressió de la seva arrogància, els residents i enverinar-ne les emocions.

Bittermanns Kreuzberger Szenen fanden in Harry Rowohlt den perfekten Vorleser, nicht nur, weil er sowieso der beste Vorleser Deutschlands ist, sondern auch den Berliner Dialekt exakt beherrscht, der in solchen Geschichten nicht zu vermeiden ist. Harry Rowohlt hat zudem nicht einfach vorgelesen, sondern als Paganini der Abschweifung aus dem Buch mit seinen Anmerkungen, Anekdoten und Assoziationen große Kunst zum Anhören gemacht.

Death is Simon's business. And now the ageing vermin exterminator is preparing to die. But he still has one last job down on the coast and he needs a driver. Bernard is 21. He can drive and he's never seen the sea. He can't pass up the chance to chauffeur for Simon, whatever his mother may say. As the unlikely pair set off on their journey, Bernard soon finds that Simon's definition of vermin is broader than he'd expected...

Manegolds Bühnentexte bereiten zugleich Unbehagen und Vergnügen. Sie erklären Sachverhalte, die man eigentlich gar nicht so genau verstehen will, und sind meistens eine virtuose Mischung aus Bundestagsrede, Ballade und Betroffenheitsbulimie. Nicht nur die Heimat als Wohnort oder Vaterland bekommt hier eine heiße Dusche. Denn Heimat kann auch Herkunft, Hort und Hafen sein, kann austeilen, sich festkrallen und prägen

Clint Lukas' kompromissloser Held geht malochen, obwohl er Arbeit scheiße findet, macht Filme, obwohl er Filmleute nicht ertragen kann, hält sich für einen Frauenversteher und hat trotzdem immer Streit mit ihnen. Woran das liegt, dass immer alles so kompliziert sein muss? An ihm wohl kaum. Findet er jedenfalls. Clint Lukas lebt seit seinem zwanzigsten Lebensjahr in Berlin. Er hat nichts studiert und keinen Beruf gelernt.

Dinner is served - with a little something on the side. A Brooklyn wife is too sharp to allow her husband’s wandering eye to get the best of her in this witty short story of a dinner party with a delicious comeuppance. Eleanor and Jonathan have joined a few of their most irritating best friends for an intimate catered gathering. Through all the intellectual chatter, Eleanor’s on watch. Jonathan has already confessed to wanting an open marriage, and tonight, Eleanor has decided to accommodate him. Just not quite the way he expects.

Is there any chance of a second date? That all depends on what a woman and a man are willing to invest in the first, in this quick-witted short story of a perfectly equitable modern romance. After 10 years of bad blind dates, Candace is having a hard time believing Patrick is so spot-on. He’s sharp, handsome, and kind - her mind can’t help racing to where it all will lead. Then the check arrives. It’s time to get real.