Showing results for "Science Arts" in Media Studies

Today's computers are composing music that sounds "more Bach than Bach", turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative - or are they merely tools to be used by musicians, artists, and writers? Miller, an authority on creativity, identifies the key factors essential to the creative process, from "the need for introspection" to "the ability to discover the key problem." He talks to people on the cutting edge of artificial intelligence and explores the riches of computer-created art.

Today it's routine to take photos from an airplane window, use a camera underwater, watch a movie, or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous—and many of the innovators, entrepreneurs, and inventors behind them were memorable eccentrics. In Flashes of Brilliance, writer and photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century.

With Amazon's growing power in both bookselling and publishing, considering where and how we get our books is more important now than ever. The simple act of putting a book in a reader's hands—what booksellers call handselling—becomes a catalyst for an exploration of the moral, financial, and political pressures all indie bookstores face.

A field guide to the visionaries and the fans who are reinventing the art of storytelling. Not long ago we were spectators, passive consumers of mass media. Now, on YouTube and blogs and Facebook and Twitter, we are media. And while we watch more television than ever before, how we watch it is changing in ways we have barely slowed down to register. No longer content in our traditional role as couch potatoes, we approach media as experiences to immerse ourselves in at will.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

Este es un audiolibro de investigación al que los autores han dedicado cerca de dos años. El resultado es este trabajo polémico compuesto por las biografías de once hombres y una mujer que controlan el 70 por 100 de la información mundial. Los autores nos cuentan como Silvio Berlusconi paso de vender aspiradoras a construir su imperio televisivo; esta es la primera biografía autorizada de Jesús de Polanco, así como los comienzos de El País, diario que en 1996 celebro sus veinte años de existencia.

Une plongée sans précédent dans les eaux troubles du "quatrième pouvoir" ! Aude Lancelin, ancienne directrice adjointe de L'Obs et de Marianne, raconte de l'intérieur un système médiatique français à la dérive... et en miroir, une gauche en pleine déliquescence qui a perdu tous ses repères. Un an avant une élection présidentielle, la "numéro deux" du plus célèbre hebdomadaire de la gauche française est brutalement licenciée.

Transforming Harry: The Adaptation of Harry Potter in the Transmedia Age is an edited volume of eight essays that look at how the cinematic versions of the seven Harry Potter novels represent an unprecedented cultural event in the history of cinematic adaptation.

From plain old doping to claiming a marathon victory despite having driven the middle section of the race, from match-fixing to diving for a penalty - cheating in sport is as old as sport itself. But what constititues cheating and where do we draw the line? Are some sports cleaner than others? Is cheating in one sport the same as cheating in another or does each sport's distinctive culture set different standards? Is there such a thing as a sport without sin? Or, indeed, a sporting competitor?