Showing results for "Science Fiction" in Racism & Discrimination

Doing Time: For the prison writers whose work is included in this anthology, it means more than "serving a sentence"; it means staying alive and sane, preserving dignity, reinventing oneself, and somehow retaining one's humanity. For the last quarter century the prestigious writers' organization PEN has sponsored a contest for writers behind bars to help prisoners face these challenges. The contest honors the best short stories, plays, essays, and poems among hundreds submitted annually by men and women nationwide.

On October 20, 1973, in San Francisco, a White couple strolling down Telegraph Hill was set upon and butchered by four young Black men. Thus began a reign of terror that lasted six months and left 15 Whites dead and the entire city in a state of panic. The perpetrators wanted nothing less than a race war.

In Love and Struggle brings together a group of prestigious women of color to share their stories during this unique calendar moment, a leap year which serves as a bridge, uniting Black History Month and Women's History Month. A slate of participants includes actor Sarah Jones, law professor Anita Hill, commentator Brittany Packnett Cunningham, model and speaker Aaron Philip, poet Mahogany L. Browne, writer Bassey Ikpi, scholar Salamishah Tillet, author Jodie Patterson, and hip-hop artist Mumu Fresh.

A vivid love story and adventure tale, Oroonoko is a heroic slave narrative about a royal prince and his fight for freedom. The eponymous hero, Oroonoko, deemed royalty in one world and slave in another, is torn from his noble status and betrayed into slavery in Surinam, where he is reduced to chains, fetters, and shackles. But his high spirit and admirable character will not be suppressed.

Traversing temporalities and global boundaries, Racial Fictions reveals the inter-connectedness of America’s domestic racial struggles and international colonial ambitions. Carby challenges readers to confront uncomfortable truths about the persistence of white supremacy, the violence embedded in historical memory, and the silencing of marginalized voices. The result is a profound exploration of the intricate and enduring legacies of race, imperialism, and violence in the formation of modern identities and nation-states.

Oroonoko, the grandson of an African king, is madly in love with Imoinda, the daughter of the king's general. When the king - who is also in love with Imoinda - catches wind of their affair, he sells Imoinda as a slave. This betrayal sets off a chain of events that carries unforeseen consequences for everybody involved. Aphra Behn's Oroonoko has been hailed as one of the first great English novels and remains a classic of historical fiction.

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

In these impassioned, powerful essays, an award-winning journalist deals forthrightly with what it means to be Black in Trump’s America. South Carolina-based journalist Issac J. Bailey reflects on a wide range of complex, divisive topics which have taken on a fresh urgency with the protest movement sparked by George Floyd’s killing. Bailey has been honing his views on these issues for the past quarter of a century in his professional and private life, which included an 18-year stint as a member of a mostly white Evangelical Christian church.

Between 1910 and 1920, vigilantes and law enforcement-including the renowned Texas Rangers - killed Mexican residents with impunity. The full extent of the violence was known only to the relatives of the victims. The Injustice Never Leaves You offers an invaluable account of why these incidents happened, what they meant at the time, and how a determined community ensured that the victims were not forgotten.

In Knucklehead we meet Marcus Hayes, a Black law student who struggles, sometimes unsuccessfully, with the impulse to confront everyday bad behavior with swift and antisocial action. The cause of this impulse is unknown to him. When Marcus unexpectedly becomes involved with the brilliant and kind Amalia Stewart, her love and acceptance pacify his demons. But when his demons return, he is no longer inclined to contain them.

This incisive history upends the complacency that confines anti-Judaism to the ideological extremes in the Western tradition. With deep learning and elegance, David Nirenberg shows how foundational anti-Judaism is to the history of the West. Questions of how we are Jewish and, more critically, how and why we are not have been churning within the Western imagination throughout its history. Ancient Egyptians, Greeks, and Romans; Christians and Muslims of every period; even the secularists of modernity have used Judaism in constructing their visions of the world.