Showing results for "Screens" in Film & TV

Now available as an audiobook for the first time! No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into...

Hailed as the first pan-Indian female superstar in an era which literally offered actresses crumbs, Sridevi tamed Hindi cinema like no other. Beginning her affair with the camera when she was four, this doe-eyed beauty conquered Tamil, Telugu, Malayalam and Kannada industries with performances...

Whether you want to write your own scripts or simply gain a deeper appreciation for the great stories you see unfold on the screen, Professor Angus Fletcher is here to show you the way in Screenwriting 101: Mastering the Art of Story. Professor Fletcher, Professor of English and Film at The Ohio State University, brings both a personal and scholarly perspective to this craft. As a screenwriter himself, he has experienced the ins and outs of the process first-hand.

Writers will understand why they're stuck and how to get unstuck through proven methods of breaking the logjam of self-judging and second-guessing that keeps good screenplays from being finished. Attain confidence by knowing your story is clear and solid. Seal out negative influences such as industry experts and fleeting trends. This is a way to write a script with integrity that makes a screenplay story-worthy. This is how to write a screenplay that works.

How do the most glamorous people in Hollywood behave when they're not in Hollywood? They run the gamut, and Nat Segaloff followed them for 25 years. He started in the staid and stuffy - but also politically tinged and rapidly evolving - city of Boston, then picked up the trail in Los Angeles. In Screen Saver: Private Stories of Public Hollywood, he writes about the celebrities he worked with when they thought they were out of the public eye. These are the scoops about the bad, the beautiful, the boring, and the blessed.

From the New York Times bestselling author of How to Read Literature Like a Professor comes an indispensable analysis of our most celebrated medium, film. No art form is as instantly and continuously gratifying as film. When the house lights go down and the lion roars, we settle in to be shocked...

The Screen Director’s Playhouse came to NBC in 1949 and became one of the top drama anthologies featuring Hollywood actors reprising their screen roles a la Lux Radio Theater. The primary focus of the program was the original movie’s director, who not only served as a guest host but also participated in an interview towards the end of the broadcast. Unlike Lux, which featured Cecil B. DeMille as a regular host, The Screen Director’s Playhouse had a different director every week. Alfred Hitchcock, Frank Capra, and Lewis Milestone were among those appearing.

Considered by many to be unadaptable due to its length and complexity, Frank Herbert’s science fiction epic Dune has made it to the screen about every two decades.

Some movies miss the mark with audiences, but what goes on behind the scenes that makes it subpar? Is it the screenwriting? The casting and characters? Listen in as Wisecrack dives into what went wrong in popular movies like Suicide Squad, Finding Dory, and Wonder Woman: 1984 in this curated collection available for the first time in audio.

Thanks to this guided storytelling course, you will learn how to create and structure a story from beginning to end, following the archetypes of storytelling. If you have a book in your drawer, if you are missing some incipits or some narrative features, this is the path for you. You will learn to create blocks to build in order to make your story compelling and exciting, and to characterize protagonists, antagonists, and secondary characters following a functional narrative scheme that has been used on many occasions, from TV series to novels and ancient literature.

Extraordinario director de cine italiano, sus películas 'Il conformista', 'The Sheltering Sky (El cielo protector), Little Buddha (Pequeño Buda) y especialmente, The Last Emperor (El último emperador) que ganó nueve premios Óscar en 1988, son el corolario de un tipo de cine caracterizado por un esmerado uso de la cámara y del montaje, y el trabajo de la fotografía con finalidades simbólicas.