Showing results for "Simon" in Ghosts

Constance Langton grows up in a household marked by death, her father distant, her mother in perpetual mourning for Constance's sister, the child she lost. Desperate to coax her mother back to health, Constance takes her to a séance; perhaps she will find comfort from beyond the grave. But the meeting has tragic consequences. Constance is left alone, her only legacy a mysterious bequest that will blight her life. So begins this brilliant and gripping novel, a dark mystery set in late-Victorian England.

There’s nothing too unusual about a father asking his son for a favor—unless, of course, the father in question has been dead for five years. Thomas, a young virtuoso pianist living a quiet, carefully structured life in France, is stunned when his late father, Raymond, suddenly appears in his home. He’s not a ghost in the traditional sense—he’s real enough to ask for help. His request? That Thomas travel with him to San Francisco to find Camille, the long-lost love of his life.

The Carnacki institute exists to do something about ghosts. Lay them to rest, send them packing, or kick their nasty ectoplasmic arses with extreme prejudice. The institute’s operatives are the best of the best. JC Chance: sharp, brave, charming, and almost unbearably arrogant; Melody Chambers: science geek, techno-wizard extraordinaire who keeps the antisupernatual equipment running smoothly; and Happy Jack Palmer: the telepath with the gloomy disposition, the last person anyone would want navigating through their head.

When Ishmael Jones and his partner, Penny, are asked to escort a VIP on the late-night train to Bath, it would appear to be a routine case. The Organisation has acquired intelligence that an attempt is to be made on Sir Dennis Gregson’s life as he travels to Bath to take up his new position as Head of the British Psychic Weapons Division. Ishmael’s mission is to ensure that Sir Dennis arrives safely. How could anyone orchestrate a murder in a crowded railway carriage without being noticed and with no obvious means of escape?

Lucas Carr went to Glenbury Hall, an old country manor house turned hotel. He signed in at reception, took his key, and went upstairs to his room. But he never got there. Somehow he vanished along the way, with not a single clue to suggest what might have happened to him. Lucas belonged to the same mysterious organization that employs Ishmael and Penny, so they are sent in to solve the mystery. But when they arrive at grim and isolated Glenbury Hall, they discover it has a reputation as one of the most haunted old houses in England.

Set high on top of Widows Hill, Harrow House has remained empty for years. Now, on behalf of an anonymous prospective buyer, Ishmael and Penny are spending a night there in order to investigate the rumors of strange lights, mysterious voices, unexplained disappearances, and establish whether the house is really haunted.

'I heard voices....' London, 1941. Quentin Collins need not fear the bombing because he is immortal, but there's much else to be scared of. The voices of his past will not rest. They are the ghosts of those he's lost. And there are other voices.... A creeping fog reaching out to him...Taking refuge in an old museum will not help Quentin either, for the museum has ghosts of its own. More voices reaching out through the darkness....

The Scarifyers is a series of rip-roaring tales of comedic supernatural intrigue set in 1930s Britain, distilling the likes of Dick Barton, The Avengers, The Devil Rides Out and Quatermass into cracking new audio adventures. The Scarifyers is broadcast on BBC Radio 4 Extra, and has been described as 'rollicking good fun', 'a slice of audio perfection', 'the smartest and most enjoyable thing on British radio' and 'like Tintin but with the lights out.'

The Scarifyers is a series of rip-roaring tales of comedic supernatural intrigue set in 1930s Britain, distilling the likes of Dick Barton, the Avengers, The Devil Rides Out and Quatermass into cracking new audio adventures. The Scarifyers is broadcast on BBC Radio 4 Extra, and has been described in the national press as 'rollicking good fun', 'a slice of audio perfection', 'the smartest and most enjoyable thing on British radio' and 'like Tintin but with the lights out.

When Ishmael Jones and his partner Penny are asked to escort a VIP on the late-night train to Bath, it would appear to be a routine case. The Organisation has acquired intelligence that an attempt is to be made on Sir Dennis Gregson’s life as he travels to Bath to take up his new position as Head of the British Psychic Weapons Division. Ishmael’s mission is to ensure that Sir Dennis arrives safely. How could anyone orchestrate a murder in a crowded railway carriage without being noticed and with no obvious means of escape?

"Don't live in the darkness, Amy Jennings." Adolescence is difficult enough, especially when your family members are vampires and werewolves. But somehow Amy Jennings survived it. Now a young woman, Amy has come back to Collinsport, determined to forget the horrors of childhood and start anew. But growing up means confronting the truth about the world around you and Amy's rite of passage has only just begun.

Whatever you do, don't go on to the beaches at dusk, or the Sand-Walker will come to your window at night. Such is the sinister warning given to the new lodger at the Beach Farm, a lonely house on the North Sea coast of England. But who, or what, is the Sand-Walker?

Lost in the snow on a bleak, wide moor in Northern England, a newlywed husband begins to despair he will ever see his wife again. He finds refuge with a pair of mysterious strangers, who direct him to a remote crossroads where the night mail coach is due to pass by. Amelia Ann Blanford Edwards (1831-1892) was a prolific journalist, traveler, and Egyptologist, as well as a hugely popular English novelist of the Victorian era.