Showing results for "Simon" in Magical Realism

Once upon a time, there was a forgotten era of magic and monster. But the remnants—and all memory—of the old world have been replaced by the sane, the scientific, and the rational. But sometimes the magical past isn’t content to stay past. That’s where Jack Damian comes in. It’s his joy to protect our present from the supernatural remnants of an earlier time, a different history. It’s his job to make the past safe. Jack is called to the Tate Museum, where dozens of people have disappeared beneath the surface of a painting.

A small group of commuters and tube workers witness a fiery apocalypse overtaking London. They make their escape through a service tunnel. Reaching a door they step through...and find themselves on a wild shore backed by cliffs and rolling grassland. The way back is blocked. Making their way inland, they meet a man dressed in a wolf's cloak and with wolves by his side.

In Kentucky, back in 1933, Carol's daddy lost his 13-year-old daughter in a game of cards. Award-winning author Simon Van Booy's spellbinding novel spans decades as he tells the story of Carol and the people in her life. Incidents intersect and lives unexpectedly change course in this masterfully interwoven story of chance and choice that leads home again to a night blessed with light.

Banned by the Nazis, the haunting novel At the Edge of the Night (Am Rande der Nacht), by the German writer Friedo Lampe, is a work of magic realism. This poignant book, beautifully translated by Simon Beattie, was, in Lampe’s own words, ‘born into a regime where it could not breathe’; he hoped that one day it might rise again. It evokes the sensations and impressions of a sultry September evening on the waterfront of Bremen, with its charm and tenderness, squalor and lust.

Wild rabies runs rampant through the woods. The foxes are gaining ground, boldly making their way into the village. In Dichtersruhe, an insular yet charming haven stifled by the Swiss mountains, these omens go unnoticed by all but the new parish priest. The residents have other things on their mind: literature. Everyone’s a writer - the nights are alive with reworked manuscripts. So when the devil turns up in a black car claiming to be a hot-shot publisher, unsatisfied authorial desires are unleashed and the village’s former harmony is shattered.