Showing results for "Sons" in Psychological

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

Sons and Lovers, Lawrence's third published novel, was written by the author at the height of his literary powers. The story of class differences (the relationship between a middle-class woman and a miner) in the tough world of coal mining brought a refreshing realism to literature. It remains a challenging text and is studied widely. It is particularly effective on audiobook in the hands of Nottinghamshire reader Paul Slack.

The latest Ecco reissue of Joyce Carol Oates’ early classics: a fiery gothic tale of doomed fates and demons of biblical proportions in rural New York state. Nathan Vickery came into the world amid unfortunate circumstances. His mother, Elsa Vickery, daughter of an agnostic small town doctor...

Sons and Lovers was the first of Lawrence's major works, and is still considered to be one of his best. The 1913 novel, partly autobiographical and set in the coalmining village of Bestwood, is notable for being the first English novel to be genuinely working-class in origin and focus.

Written in 1913, D H Lawrence's first major novel, Sons and Lovers, was the one of the earliest in the English language to explore a close-knit mining community from the inside. Lawrence's semi-autobiographical novel, set in the Nottinghamshire coal fields, is renowned for its accurate portrayal of working-class life and for its use of local dialect. It traces emotional conflicts through the protagonist, Paul Morel, and his suffocating relationships with his over possessive mother, and the women he falls in love with.

Áurea es una chica de 14 años, madrileña de origen manchego, que va a pasar el verano a la casa de unos familiares lejanos en un pueblecito de la costa Brava. El contraste entre los esfuerzos inútiles de su madre por sacudirse de encima la catetez, que la hacen caer en el ridículo, y el...

Grade school teacher and aspiring author Peregrine Long sees a Chinese family on board a ship - in his morning tea. The image inspires him to write the story of this family, but then a woman turns up at his door, claiming that he's writing her family history exactly as it happened. She doesn't like it, but she has one question: What happened to the little boy of the family, her long-lost uncle?

In spite of remarkable differences, Eric and Tommy are as close as brothers. Eric, a Nordic Adonis, is graced by a seemingly endless supply of good fortune. Tommy is a lame black boy, cursed with health problems, yet he remains optimistic and strong.After tragedy rips their makeshift family...

Lawrence’s style is bold, intimate and inventive and he always has the capacity to shock. His great strength comes from the realism of the characters he portrays and the play on tension – first seen in the exchanges between Gertrude and Morel and continuing with Paul, his Mother and his two women – which never lets up. Then marvel at the depth and quality of the writing as the story moves relentlessly towards its conclusion.

It started with a gang of drifters, dreamers, and dropouts. Together, they were the Eyes of God. Eleven years ago, this cult wreaked havoc on Ray Flowers' hometown. Flowers put their leader, a cold-blooded killer named Harrison Lee, behind bars. Without him, the Eyes chose mass suicide. Five-year-old Katie Fellows was trapped in their commune and would have died too-were it not for a mysterious young boy. Who was he? And why did he save her? Years later, teenaged Katie still sees him in her dreams. Her instincts tell her she needs him more than ever.

"What an incalculable sum of gifts and virtues went to make up the monster's daily meal." So observes American expatriate painter John Campton, whose only son is conscripted to military service in France at the beginning of WWI. In Edith Wharton's saga, A Son at the Front, we share the character's anguish as thousands of young men are sacrificed to the insatiable appetite of the war. The lessons are as relevant today as they were almost 100 years ago.

Inspired by a young man Edith Wharton met during her war relief work in France, A Son at the Front opens in Paris on July 30, 1914, as Europe totters on the brink of war. Expatriate American painter John Campton - whose only son, George, having been born in Paris, must report for duty in the French army - struggles to keep his son away from the front while grappling with the moral implications of his actions.

A heart-wrenching yet ultimately uplifting story of psychological suspense in which a parent is forced to confront what he does—and does not—know about his teenage son, in the vein of Reconstructing Amelia, Defending Jacob, and We Need to Talk about Kevin. While his successful wife goes off...

En Guillem és un nen introvertit, amb un somriure permanent, i és un àvid lector de tot allò que li cau a les mans. Té només una amiga. Fins aquí tot en ordre. Però rere aquesta aparença de tranquil·litat s'amaga un món fragilíssim, agafat amb pinces i amb un misteri per resoldre. El trencaclosques el configuren un pare en crisi, una mare absent, una professora intrigada i una psicòloga que mira de recompondre el que amaga el nen. Una novel·la coral que traspua sentiments, buits, paraules no dites i un misteri corprenedor.