Showing results for "Sound" in African American Studies

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

In Gullah Spirituals musicologist Eric Crawford traces Gullah Geechee songs from their beginnings in West Africa to their height as songs for social change and Black identity in the 20th-century American South. While much has been done to study, preserve, and interpret Gullah culture in the Low Country and sea islands of South Carolina and Georgia, some traditions like the shouting and rowing songs have been all but forgotten.