Showing results for "State of the World" in Arts & Entertainment

Author Foxx Nolte gives listeners a glimpse behind the curtain of the most magical place on earth. Millions of people a year visit Walt Disney World, but few would consider it to be a place with any real history. But hidden just below the surface, past the blanket of pixie dust, is a story as vivid and bizarre as any. It is a history of corporate politics, urban planning, crazy ambitions, and failed schemes. The Hidden History of Walt Disney World takes you on a journey that stretches from "Old Florida" to the events that made Walt Disney World what it is today.

Doty Meets Coyote is an audio tapestry of traditional and original Native American stories from the American West told by master storyteller Thomas Doty. It is Thomas Doty's work as a storyteller not only to perpetuate the Old Time myths with integrity but to add new stories to the collective basket of folklore, just as tellers before him have done for centuries. Storytelling is an ancient tradition as well as a living art.

In this landmark study of Italy from the 14th through the early 16th centuries, Swiss historian Jacob Burckhardt chronicles the rise of Florence and Venice as powerful city-states, the breakup of the medieval worldview that came with the rediscovery of Greek and Roman culture, and the new emphasis on the role of the individual. All these, Burckhardt explains, went hand in hand with the explorations of science and the more naturalistic depiction of the world in art and literature.

Driven by different motives, Robert Moses and Francis Cardinal Spellman had the same vision: to display Michelangelo's masterpiece, the Pietà, in the Vatican's pavilion at the 1964 World's Fair in New York City.

Author Kurt C. Schlichting tells the story of the Manhattan waterfront as a struggle between public and private control of New York's priceless asset. Nature provided New York with a sheltered harbor but presented the city with a challenge: to find the necessary capital to build and expand the maritime infrastructure. From colonial times until after the Civil War, the city ceded control of the waterfront to private interests, excluding the public entirely and sparking a battle between shipping companies, the railroads, and ferries for access to the waterfront.

No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters―and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. This is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century’s most beloved Black performers.