Showing results for "Style" in Poetry

Likhate hue durgaa, ridhmaa, siddhi aur firadaus in saare kiradaaron men maan kee viraaṭataa ke darshan hue hain. Maan ke lie raameshvar kee tadap kaheen n kaheen meree apanee hee hai. Iishvar ke pratiroop raameshvar kaa us aashram kee chaaradeevaaree men dam ghuṭataa hai. Visheṣ paridhaan aur karmakaanḍa raameshvar kee soch ke darshan kee viraaṭataa ko kam naheen kar paate hain.

The Iliad stands as the blazing cornerstone of all Western storytelling, an ancient epic that captures the violent splendor, tragic heroism, and unbearable human cost of the Trojan War. Attributed to Homer but shaped by generations of oral poets, it plunges listeners directly into the final, furious weeks of a ten-year siege, where gods interfere in mortal affairs, armies clash on the dusty plains beneath Troy’s towering walls, and the fate of empires turns on the choices of men driven by pride, rage, love, and grief.

Part of the #TwentyIn2020 collection for Black British writing, In Her Voice is an anthology that celebrates five poetry collections. This includes Locating Strongwoman by Tolu Agbelusi, Where the Memory Was by Hibaq Osman, Jamakespeare by Brenda Garrick, The First Collection by Sarah Lipton-Sidibeh and On Reflection by Adjoa Wiredu.

Dr. Ritu Dubey kaa pahalaa kavitaa-sangrah.

The terrible and long-drawn out siege of Troy, the quarrel of Achilles and Agamemnon, the interactions between Olympian Gods and humans, remains among one of the classic campaigns and the heroism and treachery of the combatants have been unmatched in song and story. It is a literal translation, but prose, and therefore so much easier to understand! This is certainly the version for those who want to know what Homer is about.

Three-time Christy Award winner Davis Bunn collaborates with Janette Oke to evoke the tumult of first-century Judea in the wake of Christ’s crucifixion. Although she prefers service in Pontius Pilate’s palace to a loveless marriage, Leah is betrothed to a Roman centurion. Before he can have Leah, however, he must go on a secret mission. But when a rabbi’s missing body sends Leah and Alban after the same answers, what they discover could change all they hold dear.

These poems pause for the spectacle - cloning technologies, super-slo-mo photography, narcotic cab rides - to describe a system of tripwires, pitfalls, and decoys that the notion of daily viewership entails. These poems are paeans to our facility for duplicity and self-deception, in which the act of living is like a movie we're not in.

You’re Not a Girl in a Movie is a new collection of powerful poems by Hala Alyan, winner of the Arab American Book Award in Poetry and the Dayton Literary Peace Prize. In these nine extraordinary poems, Alyan wrestles with the intimate themes that have driven her acclaimed body of work to date: the aching loss of homeland, the image and worth of women, and the violence of love. In Beirut, Brooklyn, and roads in the American West, she unravels the effects of decades of war and displacement on love and human worth and identity.

Edward Lear's much-loved comic poem, featuring the most elegant fowl in literature and his beautiful feline friend, read by Jenny Agutter.

Andrew Marvell's classic plea to his mistress to show her love for him while they are both still young and passionate, read by Bill Wallis.

Poetry Rx presents 50 great poems as seen through the eyes of a renowned psychiatrist and New York Times best seller. In this book, you will find insights into love, sorrow, ecstasy, and everything in between: love in the moment or for a lifetime; love that is fulfilling or addictive; when to break up and how to survive when someone breaks up with you.

Much-Afraid begins her journey, crippled and disfigured, with the cry, "Oh, if only I could escape from this Valley of Humiliation altogether and go to the High Places." She leaves her Fearing relatives behind, and presses on to the Realm of Love. As the Chief Shepard explains, no Fears can live in this realm, because "perfect love casts out fears and everything that torments".

Step into the somber world of No Flowers No Weeds Diminished Footprint, a poetry collection that captures the stark reality of human anguish. Each verse is a raw reflection of a soul grappling with pain, failure, and despair. From the torment of physical suffering to the devastation of lost love, these poems embody the crushing weight of desolation. The poignant verses resonate with the loneliness of isolation and the sting of a broken heart. The anthology paints a vivid picture of grief, depression, and the seemingly endless cycle of disappointment.

Nagtrabaho si Crystal bilang isang Registered Nurse sa isang syudad ng higit pa sa 30 taon, na nangangalaga ng mga homeless sa kabuoan ng kanyang career. Isinulat niya ang koleksyong ito ng mga maiiksing mga tula para maibahagi ng unit-unti, ang kasalimuotan at mga bunga ng pagiging homeless. Kanyang ipinapakita sa mga tulang ito, ang ilang mga kaalaman at pagkamadamayin para sa mga nasa sitwasyong ito. Umaasa siya na ang koleksyong ito ay magagamit ng mga simpleng tao at mga propesyonal.

In this haiku love poems audiobook, I am delivering an underlying message that is not only about romance and romantic love, but even more, about the sacred feelings, perceptions and sophisticated moods that deeper love creates, when the partners are very much in love with each other. The audiobook itself is created in such a way, that it sets an almost meditative mood, where you can dwell in its simple message and its wonderful verses. Written in the spiritually-inspired Rumi style, you can easily contemplate this out-of-this-world atmosphere.

Dans ce long poème, en écoutant Alain Carré on voit la scène, on assiste aux derniers instants de ce grand homme, on voit défiler à son chevet tout ce que l'Espagne comptait de grand et de faux. Un poème sur la vérité de l'homme et sur le pouvoir.

In poems that can turn from laugh-out-loud funny to deeply moving, Wendy Cope offers reflections on love and life. From the joy of falling - and being - in love to ways to help you deal with a painful break-up or the memories of people loved and lost, this is an audio edition to savour and share with all your friends.

Jason and the Golden Fleece is one of the finest tales of Ancient Greece, an epic journey of adventure and trial standing beside similar stories of Perseus, Theseus and the Labours of Heracles. The finest classic account comes from Apollonius of Rhodes, the Greek poet of the 3rd century BCE and librarian at Alexandria. Though less well-known than Homer's Iliad and Odyssey, and much shorter, it is an epic poem which is both exciting and moving, with remarkably vivid portraits of the main characters, Jason and Medea.

In Customs, Solmaz Sharif examines what it means to exist in the nowhere of the arrivals terminal, a continual series of checkpoints, officers, searches, and questionings that become a relentless experience of America. With resignation and austerity, these poems trace a pointed indoctrination to the customs of the nation-state and the English language, and the realities they impose upon the imagination, the paces they put us through.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives.