Showing results for "Style" in United States

In Customs, Solmaz Sharif examines what it means to exist in the nowhere of the arrivals terminal, a continual series of checkpoints, officers, searches, and questionings that become a relentless experience of America. With resignation and austerity, these poems trace a pointed indoctrination to the customs of the nation-state and the English language, and the realities they impose upon the imagination, the paces they put us through.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives.

Spoon River Anthology is a collection of poems that describe life - and death - in a small town. Each poem is a monologue delivered by a resident of Spoon River, describing events in their lives, and the circumstances that led to their occasionally untimely end. Edgar Lee Masters wrote this theatrical masterpiece to highlight the typical small town. The fascinating characters and realistic imagery make it easy to see why this is an American classic.

“You were supposed to find God here / the signs said.” In these poems, hinterlands demand our close attention; overlooked places of industry become sites for pilgrimage; and history large and small—of a city, of a family, of a shirt—is unearthed.

Wenn die erfolgreichen Kämpfe und schmerzhaften Niederlagen des Lebens (im Alter so um die 50 - drei links, drei rechts, drei fallen lassen) auf einander treffen, Scheidungen abgeschlossen wurden, große und kleine Kinder aus frühen oder mittleren Beziehungen ihre eigenen Wege gehen, mehrere Karrieren bereits weggearbeitet worden sind, und es eigentlich nichts mehr zu beweisen gibt, und dann ein ordentlicher Schluck Hormone dazu kommt.

Relive one of the most iconic moments in American history with Paul Revere's Ride by Henry Wadsworth Longfellow. This stirring poem captures the urgency and heroism of Paul Revere’s legendary midnight ride, warning the colonial militia of the British advance and igniting the spirit of the American Revolution. Longfellow’s vivid imagery and masterful storytelling bring this historical event to life, making it both a timeless literary classic and a patriotic call to remembrance.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy.

North of Boston, first published in 1914, was Robert Frost's second collection of poetry. Many of the poems take the form of conversations and hence are very suitable for presentation in a dramatic format.

Consider this glowing debut from Paige Lewis a menagerie of near-extinction. Space Struck explores the wonders and cruelties occurring within the realms of nature, science, and religion, with the acuity of a sage, the deftness of a hunter, and a hilarious sensibility for the absurd. The universe is seen as an endless arrow “...and it asks only one question: How dare you?” The poems are physically and psychologically tied to the animal world.