Showing results for "Teaching" in Genre Fiction

Set in Florence in 1492, a time of great political and religious turmoil, Eliot's novel blends vivid fictional characters with historical figures such as Savonarola, Machiavelli, and the Medicis. When Romola, the virtuous daughter of a blind scholar, marries Tito Melema, a charismatic young Greek, she is bound to a man whose escalating betrayals threaten to destroy all that she holds dear.

Meet the married Dads, the divorced Dads, the widowed Dads and the gay Dads; the gamblers, the firemen, the bankers, the nurses, the soldiers and the milkmen. They’re trying to guide their sons through the foothills of childhood into the bewildering uplands of adulthood. But it’s hard to know if they’re doing it right. Or what their sons’ mothers think... Wise and funny, touching and true, What We’re Teaching Our Sons is for anyone who has ever wondered how to be a grown-up.

After a difficult five years, at age forty-three, Nina Morgan Clarke’s time has finally arrived. With an ex-husband relocated across the country, her father bouncing back after the loss of his beloved wife, and her daughter, Xandra, thriving at boarding school, Nina is stepping into her dream job as a trifecta: a first-generation, Black female head of the storied Royal-Hawkins School. To mark the moment, Nina and her best friend, Marisol, take a long-overdue girls’ trip to celebrate the second half of Nina’s life—which is shaping up to be the best part of her life.

When Kenny (Stephen Tompkinson) gives up his life in the geography classroom to join a struggling a capella group with a beautician, a dentist and a boxer, he doesn't realise he'll soon be in the best band on the wedding circuit—and fronting the potential future of rock 'n' roll. Between trying to manage the band's failing love lives and their battling ambitions, Kenny finds that chaos greets them wherever they go. Arguments about who gets to sing the lead? Check. Rowing about recording contracts? Check. Selling out for a TV talent show? Check.