Showing results for "The Countess" in Genre Fiction

Queen Margaret knows she must protect the crown - and her son Prince Edward's claim to it - at all costs. With her husband, King Henry, increasingly frail, it is up to Margaret to fight for their inheritance. And as the Wars of the Roses rage on, her enemies and their wives lurk close, threatening to unravel everything she is trying to protect.

Russia, 1917. Petrograd is on the eve of revolution. For Countess Sophia Orlova, the city of her childhood—the only home she has ever known—has become her deadly enemy. The mob are ready to get rid of anyone connected to the old regime, including Sophia. When rebels threaten to shoot Sophia and her husband, they are saved by Nikolai, a fervent supporter of the revolution. Determined to help Nikolai’s cause, Sophia sets up a hospital wing in the house, nursing injured victims by his side.

Mistletoe is beautiful and dangerous, much like the woman from Lord Frederick’s Percy’s past, so when he turns over a new leaf and arranges to marry for his estate, instead of his heart, he never expects the wrong bride to be the right choice. Gracelynn Ferguson never expected to take her elder sister’s place as a Christmas bride, but when she’s thrust into the choice, she will trust in her faithful novels and overactive imagination to help her not only win Frederick’s heart but also to solve the murder mystery of Havensbrook Hall.

After leaving the army and falling out with his family, the Honorable Catesby Burgoyne is drowning his sorrows when he comes across a woman being attacked by thugs. A fight is just what he needs, but little does he realize the lady he rescues will change his life. For Prudence Youlgrave is not just the victim of ruffians. Her life has been made a shambles by her selfish brother and brutish fiancé. But she has a bold and courageous spirit Catesby can't resist, and before he knows it, he finds he has rescued her again by marrying her himself.

Reggie Oliver is a stage actor and playwright. His biography of Stella Gibbons was praised as "a triumph" by Hilary Spurling in the Daily Telegraph, his play Winner Takes All, was described as "the funniest evening in London", by Michael Billington in The Guardian, and his adaptation of Hennequin and Delacour's Once Bitten opened at the Orange Tree Theatre in London in December 2010. COUNTESS OTHO: I loathe fans. I realise I shouldn't be saying this. The correct thing for actors to say is that fans are the lifeblood of the theatre: we love and respect them. No, we don't.