Showing results for "The Country Club" in Historical

Prudence Davies is one of Ellison Jones's least favorite people on earth. She's vindictive. She's mean. And the two share a twisted history. Or, they did. When Prudence is murdered after a very public spat, Ellison finds herself a murder suspect. Worse, the investigating officer has it in for Ellison's homicide detective husband.

A dead body in the trunk of a car. It's the Kansas City mob's signature. So why is a member of Ellison's circle found shot to death in a sedan at the country club? Did Baxter Phelps have ties to the mafia? Did they make him an offer he couldn't refuse? Is Baxter's widow Helen in danger? As Ellison is drawn into a dangerous investigation, she can't help but think maybe this time Mother is right. She should mind her own business.

It's 1974 and Ellison Russell's life revolves around her daughter and her art. She's long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper's death. The murder forces Ellison to confront her husband's proclivities and his crimes - kinky sex, petty cruelties, and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer.

With his dying breath, Bobby Lowell begs Ellison Russell, "Tell her I love her." Unable to refuse, Ellison struggles to find the girl the murdered boy loved. Too bad an epically bad blind date, a vindictive graffiti artist, and multiple trips to the emergency room keep getting in the way. Worse, a killer has Ellison in his sights, her newly rebellious daughter is missing, and there's yet another body in her hostas. Mother won't be pleased.

When Ellison Russell, reluctant finder of bodies, chairs a gala in conjunction with the museum's Chinese funerary exhibit, she expects disaster. So, she's not remotely surprised when a body turns up. Ellison is willing to leave the investigation to the police till an attempt is made on her life. Now she's juggling evading a killer, her aunt's overly-amorous beau, her dog's new love interest, and Mother's displeasure. With bodies piling up, if Ellison's not careful, staying alive might be impossible.

Visiting a psychic is outside the norm for Ellison Russell. Finding bodies is not. Unfortunately, the psychic's crystal ball says she'll soon be surrounded by death. Again. Drat. Now there's a corpse in the front drive, a witchy neighbor ready to turn Ellison and her (not so) little dog into toadstools, and a stripper named Starry Knight occupying the guest room. How did 1975 go so wrong so quickly? Ellison must handle Mother (who's found a body of her own), make up with a certain handsome detective, and catch a killer, or the death surrounding her might be her own.

Ellison Russell wanted a decorator, not a corpse. Too bad she finds Mrs. White in the study killed with a revolver. Things go from bad to worse when she finds Mr. White in the dining room killed with a candlestick. With so many bodies, is it any wonder Detective Anarchy Jones' new partner considers Ellison a suspect? With the country club gossips talking a minute, an unexpected cocktail party, a visit from Aunt Sis, and a romantic decision, Ellison hardly has time to think about murder. Unfortunately, the killer has plenty of time to think about her.

Ellison Russell Jones's best friend Libba has a questionable track record when it comes to men. But finally—finally—she's selected a good one.

Another day, another dead woman in Ellison Russell's study. Only this one claimed to be Mrs. Anarchy Jones. As Ellison juggles mothers, daughter, unhappy wives, and near-miss murder attempts, one thing is clear - someone will go to any lengths to hide the truth. Can Ellison and Anarchy catch a killer before the body count rises? Or will Ellison be the next corpse in the study?

Frances Walford's daughter, Ellison Russell, has developed the truly deplorable habit of finding bodies. And Frances can't help but scold her about it. But when Ellison goes to Europe, Frances finds a corpse of her own. Can she help catch a killer and keep her involvement a secret?

The New York Times bestselling historical novelist delivers her biggest, boldest, and most ambitious novel yet—a sweeping Victorian epic of lost love, lies, jealousy, and rebellion set in colonial Barbados. Barbados, 1854: Emily Dawson has always been the poor cousin in a prosperous English...