Showing results for "The Judds" in Arts & Entertainment

Mel Brooks' own words telling all about the players, the filming, and studio antics during the production of this great comedy classic. The book is alive and teeming with hundreds of photos, original interviews, and hilarious commentary. Young Frankenstein was made with deep respect for the...

swannerandjudd.com

Song from my album tuesday

A weekly comedy open mic podcast recorded live from Cocoa Village Florida hosted by Judd Jones with King Hooker and Robby King on guitar.

On the Learn Light and Sound podcast, we help you learn how to improve your sound and lighting for video and film. We focus mainly on production sound recording for film and video, but also cover lighting and cameras. We’ll cover topics to help you improve your sound and video projects.

Hello! This podcast show will focus on my love for diving. These poems highlight the feeling of weightlessness I get when going down the deep end of the pool.

Each week hosts Judd Boaz and Pedro Duran review two albums that came out at the same time; one successful, one a flop. They’ll try to work out what happened and whether time has been kind to these colliding albums.

September 1940. As the skies split apart and bombs rain down on London, it's all the staff at the famed Buckingham Hotel can do to keep their guests in the luxury they're accustomed to, and evoke the magic of the Grand ballroom for them each night. Home on leave and still reeling from the tragic events at Dunkirk, the dashing Raymond de Guise struggles to define his role in this new world, and to do his duty both to his country, and his beloved wife Nancy- who needs him now more than ever.

Part hands-on archaeological history of Britain, part deeply personal insight into this ancient craft by a stonemason who has worked on Britain's greatest monuments, from Salisbury Cathedral to St Paul's. Following a tradition that dates back hundreds of years, stonemason Andrew Ziminski has worked on many of Britain's greatest monuments, from the Roman ruins of Bath to Salisbury Cathedral's spire to St Paul's, and his three decades of work give a unique perspective on the warp and weft of English history, nature and geology. 

Splatter Capital shows how a subgenre of cinematic horror has developed a unique perspective on the cycles of capitalism. It argues that the messy brand of horror mobilized in gore or "splatter" films is extremely responsive to the internal contradictions that threaten the future sustainability of capitalist accumulation. And, while responding to the prospect of that end, splatter promotes an extant truth: capitalist accumulation is and always has been a nightmare of systematized bloodshed.