Showing results for "The Language of Literature" in Linguistics

Abridged for audio. Read by the author, Clive James. With fascinating essays on towering figures from Anna Akhmatova to Stefan Zweig, via Charles de Gaulle, Hitler, Thomas Mann and Wittgenstein, Cultural Amnesia is one of the crowning achievements in Clive James's illustrious career as a critic...

American author, scholar, and satirist H.L. Mencken wrote The American Language in 1919, intending to defend American speech from prescriptivist critics. "America itself is unutterably vulgar. But vulgarity, after all, means no more than a yielding to natural impulses in the face of conventional inhibitions, and that yielding to natural impulses is at the heart of all healthy language-making."

The history of a language is the history of the people who speak it, those who read and write it, and those who come into contact with it. Now, this series invites you to explore your heritage from an unconventional angle: through the origin and development of the English language. Leading your expedition is Christopher R. Fee, an award-winning professor and medievalist whose expertise spans Old English, Old Norse, and historical linguistics. With flair and gusto, he draws from this well of knowledge to help you trace the evolution of English across a fascinating range of cultures.

In its long history, the English language has had many lawmakers - those who have tried to regulate or otherwise organize the way we speak. The Lexicographer's Dilemma poses a pair of questions: What does proper English mean? And who gets to say what's right? Our ideas of correct or proper English have a history, and today's debates over the state of the language - whether about Ebonics in schools, the unique use of language in a South Park episode, or split infinitives in the Times - make sense only in historical context.

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away?

Soon I felt something alive moving along my leg and up my body to my face, and when I looked down, I saw a very small human being, only 15 centimetres tall . . . I was so surprised that I gave a great shout. ’But that is only the first of many surprises which Gulliver has on his travels. He visits a land of giants and a flying island, meets ghosts from the past and horses which talk. An Oxford Bookworms Library reader for learners of English, adapted from the Jonathan Swift original by Clare West.

Dartmoor. A wild, wet place in the south-west of England. A place where it is easy to get lost, and to fall into the soft green earth which can pull the strongest man down to his death. A man is running for his life. Behind him comes an enormous dog - a dog from his worst dreams, a dog from hell. Between him and a terrible death stands only one person - the greatest detective of all time, Sherlock Holmes.

Scarlet is the colour of sin, and the letter ’A’ stands for ’Adultery’. In the 1600s, in Boston, Massachusetts, love was allowed only between a husband and a wife. A child born outside marriage was a child of sin. Hester Prynne must wear the scarlet letter on her dress for the rest of her life. How can she ever escape from this public shame? What will happen to her child, growing up in the shadow of the scarlet letter? The future holds no joy for Hester Prynne.

William Shakespeare. Born April 1564, at Stratford-upon-Avon. Died April 1616. Married Anne Hathaway: two daughters, one son. Actor, poet, famous playwright. Wrote nearly forty plays. But what was he like as a man? What did he think about when he rode into London for the first time... or when he was writing his plays Hamlet and Romeo and Juliet... or when his only son died? We know the facts of his life, but we can only guess at his hopes, his fears, his dreams.

"When we are happy, we are always good," says Lord Henry, "but when we are good, we are not always happy." Lord Henry’s lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party. Oxford Bookworms Library reader for learners of English, adapted from the Oscar Wilde original by Jill Nevile.