Showing results for "The Road" in African American

Bruqlyn (Brooklyn) Sampson has been on a long road to happiness. Something that she learned early was that life's highway had many on ramps, off ramps, and detours. Her biggest reroute on her trip was leaving her home in Mississippi to come to North Carolina. Now that she's traveling at a comfortable speed, will a new person on her highway cause a distraction that could be the cause of a head-on collision, or will she get a ride-along partner? Euri Westin is on her bumper, but will she be willing to slow down to let him in for the ride, or will he be forced to speed up?

''It's the penthouse or the morgue.'' This is the philosophy adopted by Keshawn Wilson, a.k.a. ''K-Dawg',' self-proclaimed lord of the streets. Keshawn is the youngest of five kids and one of only two that doesn't belong to his mother's husband. As a little boy he feels the distance between he and his stepfather, and life becomes increasingly difficult for him as the years pass. His childhood and young adult years are spent in a home for boys and state prison, where he serves time for manslaughter.

Sydney Collins left the town of Rose Bend eight years ago, grieving her sister’s death and heartbroken over her parents’ rejection. But now she’s back - newly divorced and pregnant - ready to face her fears and make a home for her child in the community she once knew. The last thing she needs is trouble. Except trouble just walked in the door. Widower Coltrane is still grieving the loss of his wife and child. Until a chance run-in with Sydney and Cole finds himself drawn to her optimistic view of life. 

In 1804, shortly before the Caribbean island of Saint Domingue is renamed Haiti, a group of women gather to bury a stillborn baby. Led by a lesbian healer and midwife named Mer, the women's lamentations inadvertently release the dead infant's "unused vitality" to draw Ezili - the Afro-Caribbean goddess of sexual desire and love - into the physical world.  As Ezili explores her newfound powers, she travels across time and space to inhabit the midwife's body - as well as those of Jeanne, a mixed-race dancer and the mistress of Charles Baudelaire living in 1880s Paris, and Meritet.

“My poems brought me to Oxford, Mississippi a.k.a. the velvet ditch: / a place you can fall into, get comfortable among confederate rebels,” writes January Gill O’Neil in her stunning new collection, Glitter Road. The poems in this book look back at the end of a marriage, a heartbreaking loss, and a new relationship against the backdrop of a Mississippi season. O’Neil reflects on the history and legacy of Emmett Till, how his story is intertwined with her own, and wades through the incredible grief she feels for herself, her children, and the Black children who won’t come home tonight.