Showing results for "The Science of Music" in Politics & Social Sciences

Great minds have long sought to understand the relationship between music and mathematics. Both involve patterns, structures, and relationships. Both generate ideas of great beauty and elegance. Music is a fertile testing ground for mathematical principles, while mathematics explains the sounds instruments make and how composers put those sounds together. Understanding the connections between music and mathematics helps you appreciate both, even if you have no special ability in either field....

In 1997, Daniel Trush, a bright, active, outgoing twelve-year-old, collapsed on the basketball court and fell into a deep coma. Rushed to the hospital, he was found to have five previously undetected aneurysms in his brain. One had burst, causing a massive cerebral hemorrhage. While Daniel remained comatose, the uncontrolled pressure inside his skull caused him to suffer multiple strokes.

Professor Seeger reveals the origins of the American music industry; the impact of instruments like the piano and the banjo; and the myriad ways music has shaped American wars, dances, elections, and public demonstrations. You’ll learn the secret histories of songs, including “The President’s March”, “Amazing Grace”, and “We Shall Overcome”, You’ll also hear informative interviews and eclectic performances from scholar-musicians, and sample original recordings that reflect the incredible richness of the American musical experience.

Alan S. Blinder - esteemed Princeton professor, Wall Street Journal columnist, and former vice chairman of the Federal Reserve Board under Alan Greenspan - is one of our wisest and most clear-eyed economic thinkers. In After the Music Stopped, he delivers a masterful narrative of how the worst economic crisis in postwar American history happened, what the government did to fight it, and what we must do to recover from it.

The goal was simple: listen to music – specifically, Western rock 'n' roll. The problem: Those striving to reach that goal weren't in the United States or anywhere else where rock was popular – they were in the Soviet Union, and it was the 1950s.

One of Nietzsche’s earliest works, The Birth of Tragedy (1872) is a remarkable source of inspiration. It is here that the philosopher expresses his frustration with the contemporary world and urges man to embrace Dionysian energy once more. He refutes European culture since the time of Socrates, arguing that it is one-sidedly Apollonian and prevents man from living in optimistic harmony with the sufferings of life.

Abridged for audio. Read by the author, Clive James. With fascinating essays on towering figures from Anna Akhmatova to Stefan Zweig, via Charles de Gaulle, Hitler, Thomas Mann and Wittgenstein, Cultural Amnesia is one of the crowning achievements in Clive James's illustrious career as a critic...

Song Lyrics in Depth is a podcast that focuses on popular music from the perspective of semantic content, genre convention, and performativity. The hosts and invited guests bring a breadth of experience and insight. Håvard Bamle has written a Ph.D. thesis on ecological aspects of popular song lyrics; Michael Prince is co-leader of the Song Lyrics Research Group at the University of Agder. Our approach combines close reading with an informed understanding of cultural context for the titles we discuss.

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.

Black Country Music tells the story of how Black musicians have changed the country music landscape and brought light to Black creativity and innovation. After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.

Legal luminary Burt Neuborne argues that the structure of the First Amendment as well as of the entire Bill of Rights was more intentional than most people realize, beginning with the internal freedom of conscience and working outward to freedom of expression and finally freedom of public association. This design, Neuborne argues, was not to protect discrete individual rights - such as the rights of corporations to spend unlimited amounts of money to influence elections.

Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.

A collection of writings by the author of the 2022 Booker Prize-shortlisted Treacle Walker 'His work has a symphonic quality unique in fiction' THE TIMES ‘The autobiography of one of the most distinct and profound writers we have’ GUARDIAN In this rich collection of writings, spanning more...

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

The definitive inside account of the file-sharing revolution that overthrew the music industry, All the Rave reveals the family betrayal, greed, and mismanagement that hijacked one the most fundamental innovations of the Internet era. Named one of the three best books of 2003 by Investigative Reporters and Editors Inc., All the Rave has been out of print until now and unavailable in most formats. Author and veteran technology journalist Joseph Menn also wrote 2010's Fatal System Error: The Hunt for the New Crime Lords who are Bringing Down the Internet.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, Hip Hop America is the definitive account of the society-altering collision between Black youth culture and the mass media.

Imagine um jovem do Recife que misturou maracatu, rock e eletrônico numa fusão que sacudiu o Brasil inteiro. Chico Science não era apenas um músico — era um visionário que transformou a lama do mangue em palco para uma revolução cultural sem precedentes. Neste podcast, mergulhamos na trajetória meteórica de Francisco de Assis França, o criador do movimento manguebeat, que junto com a Nação Zumbi redefiniu a identidade da música brasileira nos anos 90. Da periferia do Recife às grandes capitais, passando por festivais internacionais, Chico construiu um legado que ressoa até ...

Host Lucía Marquez unpacks why music festivals feel transformative, exploring the neurochemistry of dancing in crowds, the tribal belonging that emerges among strangers, and how three days of beats and belonging can reshape your identity long after you leave the field. For more content like this, visit QuietPlease.ai This content was created in partnership and with the help of Artificial Intelligence AI.

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes - identity, money, love, and protest - to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that plays like a vivid documentary of a genre defined by dismantling boundaries.