Showing results for "The Simon" in Western

In this major and wholly original contribution to military history, John Keegan reverses the usual convention of writing about war in terms of generals and nations in conflict, which tends to leave the common soldier as cipher. Instead, he focuses on what a set battle is like for the man in the thick of it.

There has never been a distinct people, race or tribe claiming the name of Celtic, though remnants of different languages and cultures remain throughout Wales, Ireland, Scotland and Cornwall. The word keltoi first appears in Greek as applied generally to aliens or 'barbarians'—and theories of Celticism continue to fuel many of the prejudices and misconceptions that divide the peoples of the British Isles to this day. Often seen as unimportant or irrelevant adjuncts to English history, in The Celts Simon Jenkins offers a compelling counterargument.

Simon Schama explores the mysterious contradictions of the Dutch nation that invented itself from the ground up, attained an unprecedented level of affluence, and lived in constant dread of being corrupted by happiness. Drawing on a vast array of period documents and sumptuously reproduced art, Schama recreates in precise detail a nation's mental state. He tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators.

On Christmas Eve 1914, a group of German soldiers laid down their arms, lit lanterns, and started to sing Christmas carols. The British troops in nearby trenches responded by singing songs of their own. The next day, men from both sides met in No Man's Land. They shook hands, took photos, and exchanged food and souvenirs. Some even played improvised football games, kicking around empty bully-beef cans and using helmets for goalposts. Both sides also saw the lull in fighting as a chance to bury the bodies of their comrades.