Showing results for "The Wall" in Anthologies

The Wall is a new, brief collection of stories by Becker that have either never been translated into English or been published here in audiobook form before. The title story, "The Wall," recounts two boys’ risky adventure when they scale the wall of a transit camp to visit the ghetto their families have recently vacated. In "The Most Popular Family Story," a favorite anecdote recounted year after year at the gatherings of an extended Jewish family subtly marks the absences left by the Holocaust.

Herman Melville’s tale of corporate discontent, Bartleby, the Scrivener, tells the story of a quiet, hardworking legal copyist who works in an office in the Wall Street area of New York City. The business where he works handles the official financial paperwork of wealthy men. One day, Bartleby’s employer requests he proofread one of the documents he has copied. Bartleby declines the assignment with the inscrutable “I would prefer not,” the first of what will become many refusals.

Catherine Leroux's first novel, translated into English brilliantly by Lazer Lederhendler, ties together stories about siblings joined in surprising ways. A woman learns that she absorbed her twin sister's body in the womb and that she has two sets of DNA; a girl in the deep South pushes her sister out of the way of a speeding train, losing her legs; and a political couple learn that they are nonidentical twins separated at birth. The Party Wall establishes Leroux as one of North America's most intelligent and innovative young authors.

While visiting a friend in San Francisco our narrator hears a knock on the wall during dinner. He and his friend examine the wall to find it is an outside wall and no one could have knocked on it. Our narrator's friend described how he had met a young woman whom he lived next to and they would knock on the walls to each other....

In this brief yet eloquent story, the writer recounts his trip from Europe to California visit to an old friend, during which he hears a tapping on the wall to an adjoining apartment. With regret, his friend tells the story of his coldhearted, selfish denial of his love for a young lady.

Nella Braddy, a pioneer among female editors, compiled this eight-story collection and published Masterpieces of Adventure: Adventures Within Walls in 1922. It features eight authors: Robert Louis Stevenson, O. Henry, Washington Irving, Anton Chekhov, Honoré de Balzac, Edgar Allen Poe, Charles Dickens, and Leonidas Andreiyeff.

Mary Eleanor Wilkins Freeman (October 31, 1852¿March 13, 1930) was a prominent 19th century American author. Up until recently she was known primarily as a "feminist" writer, for her classic stories like "A New England Nun" and "The Revolt of Mother". However, she also wrote many well-crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

This is a story from the Classic Women's Short Stories collection.

Up until recently, Freeman has been known primarily as a "feminist" writer, for her classic stories like "A New England Nun", and "The Revolt of Mother". However, she also wrote many well crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

16 de julio de 1923, precisamente después que el último obrero había terminado su tarea, me mudé a Exham Priory. La restauración había implicado desmedidos trabajos, ya que de la construcción original apenas si quedaba un montón de ruinas, pero como se trataba de la mansión de mis antepasados no reparé en gastos. La finca había permanecido deshabitada desde épocas de Jacobo I, cuando un drama de aspectos espantosamente trágicos, si bien en buena medida comprensibles, se precipitó sobre el jefe de familia, sus cinco hijos y algunos criados.

Horror and the supernatural are the background of Bierce's short stories. His style is marked by vivid description, grim situations, and sardonic twists of fate. In terms of technique, he was far ahead of his time and his short stories are among the very best in American literature.

On the wall before him, in the dimness of the room, a great circular screen glowed opaquely, awaiting his touch: a doorway into time and space, a doorway to beauty and deadly peril and everything that made livable for him a life that had, perhaps, gone on too long. The shadows leaped backward into three-dimensional vividness that wavered for a moment and then sharpened into focus upon a desert landscape under a vivid crimson sky.