Showing results for "The War" in History & Criticism

This book offers a major reassessment of classical music in the 20th century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War. 

Bloomsbury presents Too Late To Stop Now by Allan Jones, read by Matt Bates. More than 40 stories from the glory days of rock’n’roll, featuring Lou Reed, Elton John, Sting and The Clash. Allan Jones brings stories – many previously unpublished – from the golden days of music reporting...

Bloomsbury presents Rock of Pages by Jesse Kavadlo, read by Christopher Ragland. Rock of Pages provides contexts and close readings of 1980s heavy metal with forty years of hindsight, drawing upon analytical frameworks usually associated with literature and literary studies. Based on decades of...

Bloomsbury presents Rockin' the Kremlin: My Incredible True Story of Gangsters, Oligarchs, and Pop Stars in Putin's Russia by David Junk with Fred Bronson, read by Christopher Ragland. Read the true story of Universal Music Russia’s first CEO and his quest to bring Western popular music to...

When it comes to how societies commemorate their own distant dreams and catastrophes, we often think of books, archives, or memorials carved from stone. But in Time's Echo, Jeremy Eichler makes a revelatory case for the power of music as culture's memory, an art form uniquely capable of carrying forward meaning from the past. Eichler shows how four towering composers - Richard Strauss, Arnold Schoenberg, Benjamin Britten and Dmitri Shostakovich - lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving works of music.

Rocking in the Free World explains how Americans came to believe they had learned the truth about rock 'n' roll, a truth shaped by the Cold War anxieties of the fifties, the countercultural revolutions (and counter-revolutions) of the sixties and seventies, and the end-of-history triumphalism of the eighties.

For a Kentucky rifleman who spent his tour trudging through Vietnam's Central Highlands, it was Nancy Sinatra's "These Boots Are Made for Walkin'". For a "tunnel rat" who blew smoke into the Viet Cong's underground tunnels, it was Jimi Hendrix's "Purple Haze". For a black marine distraught over the assassination of Martin Luther King, Jr., it was Aretha Franklin's "Chain of Fools".

A great pianist and composer, Francesco Lotoro has been involved for over thirty years in an epochal undertaking: building an archive of the music that survived the concentration camps. Scores sewn into coat linings, instruments hidden in suitcases, sheet music stashed among dirty laundry...

Bloomsbury presents Krautrock by Marshall Gu, read by Adam Sims. Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. In May 1945, the Allies defeated Nazi Germany, putting...

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.