Showing results for "The Well" in Adventure

All Systems Red is the tense first science fiction adventure novella in Martha Wells' series The Murderbot Diaries. For fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or Iain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self-discovery and an idle instinct to kill all humans.

You know that feeling when you’re at work and you’ve had enough of people, and then the boss walks in with yet another job that needs to be done right this second or the world will end, but all you want to do is go home and binge your favorite shows? And you're a sentient murder machine programmed for destruction? Congratulations, you're Murderbot. Come for the pew-pew space battles, stay for the most relatable AI you’ll listen to this century.

It has a dark past - one in which a number of humans were killed. A past that caused it to christen itself "Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don't want to know what the "A" stands for), Murderbot heads to the mining facility where it went rogue.

H. G. Wells wrote dozens of novels and short stories and is often called the 'father of science fiction'. Here we collect together the works of H. G. Wells as broadcast on BBC Radio. With full-cast dramatisations of novels including The Time Machine, The Island of Dr Moreau, The War of the Worlds, Ann Veronica, The First Men in the Moon and The Wonderful Visit; plus readings of The Invisible Man, Love and Mr Lewisham and several short stories including The Inexperienced Ghost and In the Abyss.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly colonized planet in peril, as well as additional SecUnits. But if there's an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can't have the planet, they're sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there's something wrong with Murderbot; it isn't running within normal operational parameters.

Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah - its former owner (protector? friend?) - submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who's going to believe a SecUnit gone rogue? And what will become of it when it's caught?

Sci-fi's favorite antisocial AI is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good. Martha Wells' Rogue Protocol is the third in the Murderbot Diaries series, starring a humanlike android who keeps getting sucked back into adventure after adventure, though it just wants to be left alone, away from humanity and small talk.

The Time Machine by HG Wells is about an English scientist who entertains guests for dinner every week. One day, he tells them that time is a navigable fourth dimension, displaying a little model of a time machine. At dinner the following week, he entertains the guests with a remarkable tale. Having moved far into the future, he encounters the lovely garden world of the childlike Eloi and the brutal Morlocks who live underground.

An expedition of groundlings from the Empire of Kish have traveled through the Three Worlds to the Indigo Cloud court of the Raksura, shape-shifting creatures of flight that live in large family groups. The groundlings have found a sealed ancient city at the edge of the shallow seas, near the deeps of the impassable Ocean. They believe it to be the last home of their ancestors and ask for help getting inside.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people - who knew?). Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

H.G. Wells, a pioneer in the science fiction genre, produced awesomely imaginative novels whose technologies seem impossibly sophisticated for a writer living in an era before automobiles and the widespread application of electricity. In his work The Time Machine, Wells’ Time Traveller, a gentleman inventor living in England, traverses first thousands of years and then millions into the future, before bringing back the knowledge of the grave degeneration of the human race and the planet.

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

This thrilling anthology contains five action-packed tales of incredible journeys, a murderous treasure hunt, invaders from outer space and international espionage - all read in full by some of the very best voice actors.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

Londres, fin du XIXe siècle. Un groupe d’amis suit le récit des aventures de celui qui se prétend explorateur du temps. Créateur d'une machine fantastique à naviguer dans le temps, il a été visiter l'année 802 701. La Terre est alors habitée par des étranges êtres qui ressemblent aux humains, dans un éternel âge d'or où rien ne semble les troubler. Presque rien, car la nuit, les Morlocks sortent des profondeurs de la Terre et viennent kidnapper les êtres qui y vivent.

In addition to these classic novels, the sents a captivating anthology of novels and stories from the visionary author. Renowned as one of the pioneers of science fiction, Wells's works continue to enthrall readers with their imaginative storytelling and thought-provoking themes. At the forefront of this anthology are some of Wells's most iconic works, including The Time Machine, a groundbreaking tale of time travel and its consequences, and The War of the Worlds, a gripping account of a Martian invasion that brings humanity to the brink of extinction.

Join the fight for the people and power of Tanegawa's World, in this exhilarating sequel to Hunger Makes the Wolf. War is coming to Hob Ravani's world. The company that holds it in monopoly, TransRift Inc, has at last found what they're looking for - the source of the power that enables their Weathermen to rip holes in space and time, allowing the interstellar travel all of human society now takes for granted. And they will mine every last grain of it from Tanegawa's World no matter the cost. Since Hob Ravani used her witchy powers to pull a massive train job and destroy TransRift Inc's control on this part of the planet, the Ghost Wolves aren't just outlaws, they're the resistance.