Showing results for "Thomas Peters" in Classics

German short stories began in the late 18th century as brief, beautifully written moral fables. In the following century, style evolved toward realism in parallel with that of other European literature. From the lofty idealism of Goethe to the searing verisimilitude of Mann, German writers of all styles have left us some of the most arresting profiles of the human condition ever conceived.

Three BBC radio adaptations of famous novels by the prolific 19th-century author Mrs Oliphant - plus an episode of Reading Aloud, with extracts from her autobiography. Sometimes called ‘the feminist Trollope’, Margaret Oliphant wrote more than 100 works of fiction in a wide variety of genres, ranging from novels of small-town life to historical tales and supernatural stories. Included here are three of her best-loved works, brimming with dry wit, perceptive irony and flawed but fascinating heroines.

Mit der Begeisterung seiner Zeitgenossen zieht der Student Adolf Reisiger 1914 in den ersten Weltkrieg, die im Blut und Dreck des Stellungskrieges, der Giftgaseinsätze und Materialschlachten schnell erstickt. Das Grauen und der allgegenwärtige Tod verwandeln den kriegsbegeisterten Freiwilligen in einen überzeugten Pazifisten, der den Verstand zu verlieren droht und schließlich in die Irrenanstalt eingeliefert wird.

A wonderfully evocative tale of the courtship of Fancy Day, newly arrived schoolmistress, by Dick Dewy, carrier of goods, during the four seasons of one year in Wessex. Most of Hardy’s work had tragedy woven into the narrative but ‘Under the Greenwood Tree’ is full of whimsy and good humour. The story is not without its serious comment, however, as Hardy reflects on class division and the disappearance of heritage in the rural community.

This classic farce was first performed in 1892. Since the record-breaking initial run in London, it has been revived many times around the world in a variety of languages, and has also been adapted for a number of presentations on film. The play incorporates many of the features which have become standard in romantic comedies: a cross dressing central character, identity confusion, young lovers kept apart by parental influence and older lovers unexpectedly reunited.

In The Three Strangers, Thomas Hardy offers a quietly ironic tale shaped by weather, custom, and the unpredictable drift of human fate. Set against the backdrop of rural Wessex, the story unfolds on the border between the ordinary and the uncanny — a place where identity flickers and appearances mislead. With his signature restraint, Hardy lets the narrative circle slowly inward, revealing not only the secret at its heart, but something of the way justice, chance, and character meet in the dark folds of the countryside.

Sie sind der Schlüssel zum Werk von Thomas Bernhard. Sie kehren sein Innerstes nach außen. Kein Text, der intimer, berührender ist als die fünf zwischen 1975 und 1982 geschriebenen Erzählungen, in denen der Autor seine traumatischen Kindheits und Jugenderinnerungen beschreibt.

Zwei Männer sitzen im Zug. Es kommt ein Gewitter auf. Der Mitfahrer erkennt Mark Twain sofort. Er bietet ihm Essen, Zigaretten usw. an und erzählt eine Geschichte von einer Gewitternacht in seiner Heimat, von der Ängstlichkeit seiner Frau und von den Vorkehrungen, die dann getroffen werden müssen.

Lady Penélope wird von drei Männern umgarnt. Sie kündigt an, dass sie alle drei hintereinander heiraten wird. So kommt es auch. Nachdem die ersten beiden Männer gestorben sind, heiratet sie den letzten, Sir William. Nach einer Fehlgeburt stirbt auch die Lady und schließlich auch Sir William.