Showing results for "To Be a Woman" in Politics & Government

Adapted and narrated by Caitlin Moran, this brand-new radio adaptation intersperses dramatised scenes from Moran's life (from her teenage years in a crowded council house in Wolverhampton, to setting out as a music journalist, to getting married and having children) with her thoughts on subjects that range from the necessity of big knickers to the experience of giving birth and having an abortion.

A searing critique of the disability rights movement from within, and a call for collective liberation that is pro-Black and centers disabled people of color For over twenty years, Dara Baldwin has often been the only person of color in the room when significant disability policy decisions are...

In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune". Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers. In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of gender amid their demands for black liberation.

A fascinating chronicle of radical feminism’s rise and fall from the mid-60s to the mid-70s, Daring to Be Bad is a must-listen for both students of gender history and activists of intersectionality. This 30th anniversary edition reveals how current debates about race, transgender rights, queer theory, and sexuality echo issues that galvanized and divided feminists 50 years ago.

"How Boko Haram Trains Abducted Women and Girls to Be Suicide Bombers" is from the April 07, 2016, World section of The New York Times. It was written by Dionne Searcey and narrated by Keith Sellon-Wright.

"Metaphorically Speaking, Men Are Expected to be Struck by Genius, Women to Nurture It" is from the October 11, 2016 United States section of The New York Times. It was written by Joanna Klein and narrated by Caroline Miller.