Showing results for "Toby" in Historical

Since the start of World War II, Cary Grant has been working undercover in Hollywood as a spy for the British crown. When a ring of Nazi sympathizers gets wise, they start blackmailing the debonair leading man. Now Grant has hired Toby Peters to handle the payoff. But when the blackmailer is killed, the rumpled detective and the suave movie star are thrust into a complex plot of murder, money, and Nazi spies, leading to a literal cliff-hanger....

Luna Martin, the moll of a well-known Los Angeles gangster nicknamed "Fingers" (because he likes to cut them off), has demanded dance lessons from Hollywood's finest hoofer - and whatever Luna wants, Luna gets. To sidestep the flirtations of the lead-footed lady, Astaire hires private investigator Toby Peters to pose as a dance instructor and take over the lessons. But when someone cuts in and cuts Luna's throat, the grieving gangster makes Peters an offer he can't refuse: Find the killer - or go from having two left feet to one foot in the grave.

It's 1941, and the Marx Brothers' first movie for MGM, Go West, has the country in stitches. But now Chico Marx is worried he's going to need stitches when he receives a severed ear in the mail - a simple message from a Chicago bookie who wants $120,000, or else. Chico is baffled because, although he loves to gamble, he's never made a bet in Chicago. Desperate, he turns to the king of Hollywood, Louis B. Mayer, who puts in a call to Toby Peters.

Millionaire Howard Hughes likes his secrets. He likes to keep them - and he definitely doesn't like having them stolen. Hollywood PI Toby Peters has a rep for being discreet. So when the film tycoon and aviation magnate needs a detective to very privately investigate the theft of top-secret blueprints taken from his home during one of his fabulous parties, he summons Peters. But what starts as counter-espionage intrigue turns into a triple murder, and Peters soon finds himself bait for a killer.

Joseph Conrad's Heart of Darkness is an exploration of the nature of evil and how far a man can go towards it when released from the constraints of what can be called civilisation. Before beginning his life as a writer at the age of 36, Conrad spent 16 years as a merchant seaman. In 1889 he became captain of a steamboat in the Congo Free State, and the atrocities he witnessed there, perpetrated by the representatives of the Belgian colonial powers, led him to write what he called his Congo Diary.