Showing results for "Twilight" in Classics

Stefan Zweig was born on the 28th November 1881 in Vienna, then part of the Austro-Hungarian Empire, and into a wealthy Jewish family with interests in banking and textiles. Zweig first published in 1900 and two decades later was a popular and highly regarded author in many parts of the world, although not in England. He was also the librettist with Richard Strauss of two operas and a keen collector of autographed musical manuscripts. His collection of over two hundred pieces was later donated to the British Library.

Whether it is sex, drugs, or infatuation with the occult, Mrs. Manford and her extended family of socialites are determined to escape the pain, boredom, and emptiness of life through whatever form of “twilight sleep” they can devise or procure. Far ahead of its time, this Wharton classic employed modernist techniques such as an ever changing narration among the novel’s characters and a close examination of the characters’ self-identities and relationships with one another to tell a tale rich with irony and wit about the upper crust’s own undoing.

Twilight Sleep, a gothic satire of Jazz Age New York, was an instant best-seller when it was released in 1927. Quintessential Edith Wharton, it is stylish and sharp, at turns scathing, hilarious and melodramatic, but also deeply and surprisingly human. In a modernist twist, the story is told by three distinct narrators—19-year-old Nona Manford, her unflappable socialite mother Pauline, and Nona’s father and Pauline’s second husband, divorce lawyer Dexter Manford. All are trying to save the marriage of Nona’s half-brother, Jim Wyant, and his wife Lita.

One of the best-known collections of W. B. Yeats' prose, The Celtic Twilight explores the old connection between the Irish people and the magical world of fairies. Yeats, by traveling the land in the early 20th century and talking to the common people about their experiences with the creatures, yielded a colorful overview of Celtic fairy folklore.

"The Twilight of the Idols" was written by Nietzsche in 1888 as a short introduction to his work. In it, he labels the era’s German culture as decadent and nihilistic, and criticizes certain British, French and Italian cultural figures who, in his view, represented similar tendencies. By decadence, he means a fading of life, vitality and an embrace of weakness. In contrast to those alleged representatives of cultural decadence, Nietzsche holds up historical personages like Julius Caesar, Napoleon, Goethe, Thucydides and the Sophist philosophers as healthier types.

Olgerd and his tribal NPC gang have finally discovered the Forbidden City. Problem is, they haven't found what they were looking for. The ancient maps are hopelessly out of date, and the Ennan capital city is lying in ruins. In the meantime, their enemies are closing in. Noctean hordes are arriving from the Silver Mountain Valley; the Dark army has already crossed the Back Stream, and the forces of Light have already entered the Icy Woods. The magic protection sphere which Olgerd received from the city's invisible guardians is about to expire....

Twilight in Italy describes Lawrence’s time as an educated working-class Englishman living among the Italian working men and women in the region around Lake Garda, from the Austrian Alps to the North, to Switzerland and finally Como and Milan. He captures the psyche of Italian peasants without ever romanticising or patronising them.

In The Celtic Twilight, Yeats explores the world of fairies, ghosts and spirits. The title refers to the pre-dawn hours when the Druids performed their rituals. The work comprises tales recounted to the poet by his friends, acquaintances and various country folk.

Did he drown? Is he dreaming? Did he almost drown? Only Lord Dunsany, aka Edward Plunkett, the eighteenth baron of Dunsany, knows for sure.

Bumper is a young white rabbit who lived in the city but escaped from a pen where a nice little red-headed girl had put him. After avoiding some dreadful animals, Bumper has ended up in the woods where he is mistaken for the promised king because he is white and has pink eyes. Bumper quickly realizes that he does not have forest smarts and sets about to learn all he can about the woods hoping to fit in with the rest of the forest rabbits. He quickly finds out that the forest is not what he expected.

Bumper is a young white rabbit who lives in the city, in a crowded pen with lots of other rabbits. The old woman who raises bunnies takes a few downtown every day to try to sell them. Bumper is sold to Aunt Helen who gives him to Toby, a spoiled nephew. Toby mistreats Bumper, and a little red-headed girl named Edith takes Bumper from Toby to rescue him. After being put outside in a pen, Bumper manages to escape the pen and his adventures, some not so nice, begin. Eventually, Bumper manages to meet some of his forest cousins, not to return again to the little red-headed girl.

Lo que en el título se denomina ídolo es sencillamente lo que hasta ahora fue llamado verdad. El ocaso de los ídolos, dicho claramente: la vieja verdad se acerca a su final. Así escribió Nietzsche sobre este libro en Ecce Homo. Friedrich Nietzsche escribió El ocaso de los ídolos (también conocido como Crepúsculo de los ídolos) o cómo se filosofa con el martillo al comienzo del otoño de 1888, en la época que él considera la más fecunda de su vida.

Sir Arthur Conan Doyle is of course famous for his creation of the great Sherlock Holmes. The stories of the master detective are justifiably well known but he also wrote many short stories which are not so well known but deserve to be. The four stories in this recording were first published singly in magazines, principally The Strand. They later appeared in the collection “The Great Keinplatz Experiment and Other Tales of Twilight and the Unseen” in 1919. They are: “The Brown Hand”, “Playing with Fire”, “How It Happened”, and “De Profundis”.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 8: FADING AWAY OF THE TWILIGHT: On the following day, at nightfall, Jean Valjean knocked at the carriage gate of the Gillenormand house. It was Basque who received him.