Showing results for "Underground" in Genre Fiction

"I am a sick man...I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

In "Notes from Underground" by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas or about a curtain of secrets and mysteries. The hero of the "underground", the author of the notes, is a collegiate assessor who retired after receiving a small inheritance. He lives poorly, in a wretched room on the outskirts of Petersburg. And the "underground" is psychological.

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. This audio edition of Notes from Underground is the only recording of Pevear and Volokhonsky's translation of Dostoevsky’s classic work.

In Notes from Underground by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas Fyodor Dostoyevsky tells the story of a man who is "too conscious." The man, whose name we never learn is so aware of his own thoughts and feelings as to cause him to be indecisive and overly self-critical. Add in his belief that societal expectations are shaping his actions. Notes From Underground is one of Fyodor Dostoyevsky's most well renowned novels. It is thought to be one of the first existentialist Russian works.

Isolated from society in a tenement basement in St. Petersburg, a malicious former civil servant vents his resentments. In the rambling notes that follow, we are exposed to the inner turmoil of the Underground Man, who represents the voice of his generation. An emotional, paranoid knot of contradictions, the spiteful narrator is also desperate to join a society he loathes, if only to prove his superiority to it.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

Dostoevsky’s classic story of an isolated, unnamed man raging against the confines of his world.

Notes from Underground (also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky, first published in the journal Epoch in 1864. It is a first-person narrative in the form of a "confession": the work was originally announced by Dostoevsky in Epoch under the title "A Confession". The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg.

The Essential Fyodor Dostoyevsky Collection brings together the definitive works of one of literature’s most profound psychological explorers. Through gripping drama, penetrating philosophy, and unforgettable characters, Dostoyevsky examines guilt, faith, freedom, suffering, and the mysteries of existence with unmatched intensity. This collection presents his greatest novels, novellas, and nonfiction—an ideal gateway for new readers and an indispensable treasury for devoted admirers.

Every day Mathilde takes the Metro, then the commuter train, to the office of a large multi-national where she works in the marketing department. Every day, the same routine, the same trains. But something happened a while ago - she dared to voice a different opinion from her moody boss, Jacques. Bit by bit she finds herself frozen out of everything, with no work to do.

Leili could not have imagined that arriving late to Islamic morals class would change the course of her life. But her arrival catches the eye of a young man, and a chance meeting soon draws Leili into a new circle of friends and artists. Gathering in the cafes of Tehran, these young college students come together to create an underground play that will wake up their generation. They play with fire, literally and figuratively, igniting a drama both personal and political to perform their play - just once.

Notes from Underground is an 1864 novella by Fyodor Dostoyevsky. Notes is considered by many to be the first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form or the underground man's diary, and attacks emerging Western philosophy

Dostoevsky’s narrator is the anonymous voice of the masterful novella. Retired and isolated from society, he is bitter, contemptuous, and contemplative as he presents his anecdotes and philosophical outlooks. Presented as an extract from the narrator’s memoirs, Notes from the Underground is divided into two parts. Opening with a monologue attacking Western philosophy, Dostoevsky follows this theoretical exploration with the anti-hero’s accounts of various destructive and restorative life experiences.

By the time Dostoevsky was 40, he had spent four years in prison and a further four years in the army as punishment for his part in a political conspiracy. His health was broken. He was gaunt, fervid, anxiety-ridden, and close to bankruptcy. It was in this state he wrote Notes from the Underground, a masterpiece of the psychology of theoutsider.

A groundbreaking new translation of Dostoyevsky's most radical work of fiction. In the depths of a cellar in St. Petersburg, a civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory, and even sadistic nature. Yet in Dostoyevsky's most extreme and disturbing character, there is the uncomfortable flicker of recognition of the human condition. When the narrator ventures above ground, he attends a dinner with a group of old school friends.

In this early work from Fyodor Dostoevsky, the role and domain of the anti-hero is explored and exposed. In his self-appointed removal from society, the narrator attempts to dissect the complicated rules, both spoken and unspoken, of human interactions as well as the driving force and reason behind individual morality and universal truths. He descends into a chaos of contradictions as he attempts to prove his own superiority and understanding of morality while simultaneously revealing his intense self-loathing and hatred for society as a whole.

Jonathan and Ellen Ware have immigrated to the area from their farm in Illinois with 13-year-old Christy Ware and her two older brothers. The Wares are only one of the families that will soon be caught up in the burning issue of slavery with raids from the Border Ruffians out of Missouri and John Brown's small army devoted to ending slavery and helping runaways to escape to the north.

Niels Klim's Underground Travels, originally published in Latin as Nicolai Klimii Iter Subterraneum (1741), is a satirical science-fiction/fantasy novel written by the Norwegian-Danish author Ludvig Holberg. His only novel, it describes a utopian society from an outsider's point of view, and often pokes fun at diverse cultural and social topics such as morality, science, sexual equality, religion, governments, and philosophy.

This is the 1927 book that years later inspired the movie of the same name. It is a book about criminal violence, corrupt politics and police, and illicit sex. The City of New York, from the late colonial period up to the early twentieth century, was a bustling hub of commerce, industry, and immigration. For many the city was the gateway to a new life in America, and for many others it was a place to steal a buck from their fellow New Yorkers and visitors to the city with thievery, fraud, and vice—in neighborhoods such as the Five Points, the Bowery, Hells Kitchen, and the Water Front.

National Peace Organization operative Paul Stepola walks a dangerous tightrope as a double agent; a new believer assigned to enforce the ban on religion. Three major cities have been attacked by terrorists and thousands have died, all in the name of God. Paul must somehow find a way to expose the source of the terrorism without endangering fellow believers. And with his unbelieving wife's powerful connections, Paul faces danger on every front.